THE 1957 TAIL-FIN FIASCO – The Cruise Control EP

a0095358254_2Having already released their ‘Private Jet Flashback’ album at the beginning of the year, 2013 proved very busy for Essex-based pop rockers The 1957 Tail Fin Fiasco, as they also dropped this EP of extra material in the autumn.  It’s not clear whether it ought to be regarded as a companion piece to the full album or treated as a stand-alone EP in its own right, but what is clear is that this is a band you should not miss.  This raises the bar with regard to how something self-released should sound sonically, while musically the band Indulge in a whole cavalcade of 70s pop sounds, that’s absolutely thrilling in its all too knowing retroness.

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NICK CAPALDI – The Golden Summer EP

CapaldiOn his 2012 full-length LP ‘A Shade of Orange’, Dorset based singer-songwriter Nick Capaldi championed a whole world of sixties pop and rock influences with stunning results.  Whether tackling the R&B grit of ‘You Ain’t No Woman To Me’, the hard beating soul of ‘Read Into Me’ or the sun-filled, Hollies-influenced pure pop of ‘You As an Island’, one thing was obvious:  he was an artist to watch.  His follow up release, the 2013 EP ‘The Golden Summer’ proves that Capaldi is more than just a one-shot deal, its four original songs equally as good as anything on the debut.

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SONS OF THE EAST – Sons Of The East EP

Sons EPThis self-titled EP is the debut outing from Australian trio Sons of the East.  Self released, there’s a warmth in the material that suggests it’s been a while in the making.  Those who enjoy acoustic music are almost guaranteed to come away having heard something great, even if they don’t enjoy everything on offer.

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LITTLE RIVER BAND – Cuts Like A Diamond

LRBAustralia’s Little River Band shouldn’t really need an introduction.  Over the years, there have been shifting line ups and shifting sounds (1984’s ‘Playing To Win’ with John Farnham at the helm is somewhat of an AOR classic), but the much-lauded band have released music of a quality that has (probably) rightly seen them compared to the likes of The Doobie Brothers and Player.  2013’s ‘Cuts Like a Damond’ is an album with a fair amount riding on it… Not only does the band possess some gems within a quite extensive catalogue dating back to the mid-70s, but [excluding any re-recordings and albums with yuletide themes] it also breaks a recording hiatus of nine years.

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