Listen: teethin release new single ‘Throwin Shapes’

A pumping bass that has a post punk edge, a weird clicking sound and a mumbling vocal: three things you wouldn’t necessarily expect to hear together, and three things that pretty much give no clue as to where teethin’s current single ‘Throwin Shapes’ is headed. It could be a punky banger; it could be a slab of post rock fury; it could be an abrasive piece of alternative dance…

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Premiere: Check out the new single ‘Susciety Gurl’ from Philadelphia’s Lunison

Lunison’s debut EP ‘See Me As A Friend’ presented five tracks where a rock core sound was twisted into some very interesting shapes. ‘Name Three Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.

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Listen: Sun Below share new epic track ‘Mammoth’s Tundra’

‘Mammoth’s Tundra’, the current single from Sun Below, first began life in 2023, before going through “significant changes” to wind up being the massive behemoth that kicks off the band’s 2025. The opening riff shares a slow, classic doom sound, instantly advertising the band’s heavy feel. After several bars, maybe at the point you’d expect a vocal to appear or the riff to do something dramatically different, Sun Below merely choose to heavy everything, whilst simultaneously slowing down to a sludgy crawl. The appearance of a vocal lends something Melvins-esque, before the doomy vibes slide into a slightly more melodic blues-doom sound, by which time, you’re either completely behind the band, or not. Working a Sabbath-on-steroids groove, the combo of drums and guitar latch onto an even deeper brand of doom, before the sludge comes back for a second assault.

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