MICHAEL THOMPSON BAND – Love And Beyond

The Michael Thompson Band’s 1989 album ‘How Long’ is often considered one of the landmark releases of 80s AOR. A near perfect release, its slick pop-rock sound and songs co-written with Mark Spiro captured the ears of a generation of fans. The album became increasingly hard to find on CD until a Frontiers Records reissue made the masterpiece available to all once again in 2007. Such a reissue should have been met with much enthusiasm. However, not only did the reissue sound inferior compared to the master used for the original Geffen release, but it was also sullied by the addition of a few contemporary bonus tracks which only lessened the overall quality. A brand new release the same year – TRW, teaming Thompson with vocalist Mark Williamson and noted session man John Robinson (one time of AOR band Bridge 2 Far) – was enjoyed by some fans, but in terms of sheer quality it just didn’t equal Thompson’s late 80s peak.

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FIND ME – Angels In Blue

Combining the talents of Blanc Faces vocalist Robbie LaBlanc and Chilean multi-instrumentalist Daniel Flores, Find Me are a band that recycle classic 80s rock sounds with love. The musicians were brought together by Frontiers Records’ President Serifino Perugino in 2013 to try and fulfil his dream of creating “the perfect AOR record”. Their debut album ‘Wings of Love’ was an excellent example of the genre, though measured against many of the 80s classics, to call it “perfect” would, perhaps, be a little overzealous. The odd thing is that Perugino had something close to his dream under his nose the whole time with Work of Art’s 2008 debut ‘Artwork’, but nevertheless, he wanted more. The fans loved it, of course; the reviews were almost all positive and Find Me eventually recorded a second album at the end of 2015.

As the next couple of years ticked by, with Flores reconvening The Murder of My Sweet in 2017 and working with Palace in 2018 and no word from LeBlanc, a third Find Me record seemed increasingly unlikely. …And then, at the beginning of 2019, the band announced their big return…much to the delight of most who’d followed them previously.

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Harem Scarem to release 14CD ‘Ultimate Collection’ in March

Always a much loved band in melodic rock circles, Harem Scarem have released some great albums over the years, with their first two albums very much at the forefront of the scene at the point where the AOR glory days of the 80s reached their end.

Over the following years, Harry Hess, Pete Lesperance and band continued to make great music, with their 2002 release ‘Weight of The World’ ranking among their best.

Outside of Japan, most of their albums have been increasingly hard to find, but March 2019 will set that right when most of the band’s catalogue is set for release as a lavish fourteen CD set, pairing the first twelve albums with an “Early Years” disc and an exclusive disc of rarities.  The good news for fans looking to fill those collection gaps is that each of the individual releases also includes the relevant bonus tracks from the Japanese releases and more besides.

The full details can be found in the press release below.

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TOBY HITCHCOCK – Reckoning

Toby Hitchcock first came to prominence in the early 2000s as frontman with Pride of Lions, a melodic rock band masterminded by Survivor legend Jim Peterik. With a combination of big performances and old style AOR hooks, the band found an instant fan base within the AOR community, despite treading a very familiar musical path. Outside of that band, Hitchcock has also achieved cult success with an on/off solo career and, if anything, his 2011 solo debut ‘Mercury’s Down’ featured performances that were even more bombastic.

His second solo album – 2019’s ‘Reckoning’ – offers fans exactly what they want, in that its eleven tracks couple some huge melodic rock sounds with an even bigger vocal. For those who love Toby, the album is probably everything they could ever wish for…and more. For the many who find his approach too big, it might be another album that fails to convince at first, but it’s worth persevering with since most of the material knocks spots off 2011’s ‘Mercury’s Down’.

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RED DAWN – Never Say Surrender

After leaving Rainbow in the mid-80s, keyboard player David Rosenthal began writing songs with a budding AOR singer named Mitch Malloy. The sessions produced some fantastic material, but circumstances changed and recording sessions for a proposed album were abandoned. Malloy subsequently recorded a solo album (a self-titled release, it was soon considered a melodic rock essential) and Rosenthal set about forming a permanent band. The new band, Red Dawn, saw David drafting in a familiar face in drummer Chuck Burgi – a trusted friend from his Rainbow days – and ex-USA vocalist Larry Baud. For those who heard it, their one and only album, 1993’s ‘Never Say Surrender’ would ultimately change the landscape of 90s melodic rock forever.

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