Along with Herbie Hancock, Dexter Gordon and Sonny Clark, Lee Morgan was one of the jazz musicians from the sixties who could often be relied upon for a strong melodic root. His albums ‘The Sidewinder’ and ‘The Rumproller’ are considered classics for a reason, and even when digging a little further into his work, ‘Candy’ (1957) and ‘Lee-Way’ (1960) are just as chock-full of great and accessible material. Miles Davis might get most of the credit when it comes to classic jazz trumpeters, but most of Morgan’s albums are just as rich. The bulk of his studio work is terrific, very much something jazz novices should gravitate towards after exhausting the usual routes.