ABDOUJAPAROV – Race Home Grow Love

After Carter USM called it a day in the late nineties, James “Jim Bob” Morrison and Les “Fruitbat” Carter went their separate ways. Jim formed the short-lived Jim’s Super Stereoworld before embarking on a dual career as a solo artist and writer of novels, and Fruity formed Abdoujaparov, an indie rock band with punky undertones. Having parted on amicable terms, the USM men actually shared stages together just a couple of years later with their respective new outfits, on a double header tour that pulled in the fans. Looking back, it was an interesting time for both performers looking to forge new paths. At the 2001 gigs, Jim seemed uninspired, often delivering music that sounded like a shadow of his former punning self. For Les, the opposite seemed true and opportunity to explore new musical ideas with different people seemed to invigorate him. With energetic live performances and a very matey stage presence, Abdoujaparov were definitely going to be a band that the old Carter fans would take to their hearts.

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Salad return with new single and video ‘Things In Heaven’

Salad were one of the most underrated indie bands of the nineties. With one foot in the noisy indie camp – leading to more than one support slot with Carter USM – and the other within the Britpop family, their quirky lyrical concerns and melodic vocal phrases gave them the potential to be huge. Although the band never really rose above cult status, those who liked them absolutely adored them.

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KEELEY – Brave Warrior EP

The enigmatically named Keeley was formerly the vocalist with Session Motts, a band that fused bubblegum melodies with chopping guitars and frivolous lyrical concernes, creating a quirky hybrid of garage rock and disposable pop. They gained a following around their native Dublin, but it seems their time was short. After a couple of years away, Keeley returned with a new eponymously named project for 2021 and although a couple of the songs from this debut EP occasionally sound like a distant cousin to the Session Motts by way of an aloof vocal, it’s very often a different animal. There’s a strong call back to the 90s at all times, but the material itself doesn’t always have the clearest identity.

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MO TROPER – Revolver

His name may not be instantly familiar, but singer songwriter Mo Troper has a fairly sizeable back catalogue. He began cranking out fuzzy indie and power pop tunes in 2016 and has gradually built a cult audience. Mo’s debut full length ‘Beloved’ is brilliant. Although very much the kind of record aimed at listeners who still feel nostalgic for Superchunk and reach for Guided By Voices’ ‘Isolation Drills’ on a regular basis, its peppering of stronger melodies could also call to mind the kind of tunefulness the younger Brendan Benson might’ve enjoyed when in a noisier mood. Each of Troper’s further releases work a similar fashion, each with a slightly more commercial angle (‘Freebin’ from 2017’s ‘Exposure & Response’, especially, has the feel of something that could lapse into an old Teenage Fanclub tune, and the whole of 2020’s ‘Natural Beauty finds Troper in full on home-recorded, yet clean power pop mode), but whatever the outcome, the performer’s DIY heart can always be heard beating furiously. In terms of retro cool, he has the potential to be remembered as one of the greats.

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