The first three Honeymoon Suite albums are an essential part of any decent melodic rock/AOR album collection. Songs like ‘New Girl Now’, ‘Feel It Again’, ‘Bad Attitude’ and ‘Lookin’ Out For Number One’ should have made them as big as Journey and Survivor, but outside of the US and Canada, the band never achieved any more than cult status. Any relative lack of success elsewhere wasn’t for the want of trying, however. Millions of people have actually heard Honeymoon Suite without realising it, since their ‘Lethal Weapon’ appeared on the soundtrack of the film of the same name in 1987. Unfortunately, the end credits failed to mention this…robbing the band of some very easy publicity.
Tag Archives: aor
GRAND – Second To None
Grand’s debut album was one of the best AOR albums of 2022. Seemingly out of nowhere, the Swedish band dropped a record that encapsulated some of the very best sounds from an unfashionable genre. The songs shared strong influences from the likes of Work of Art and Lionville, but with the help from a dash of pop and some absolutely killer choruses, Grand made a well worn style feel a little perkier than most.
GOTUS – Gotus
Gotus? In terms of band names, that’s pretty ugly. It certainly isn’t terrible – that would be reserved for the likes of Smoking Gives You Big Tits, Dohny Jepp, and Fuck Yeah Dinosaurs, all of which not only have the misfortune to exist, but also the distinction of somehow being better than anything else those bands could come up with – but it certainly doesn’t inspire. It was chosen with solid reasoning, however: it’s a portmanteau designed to advertise the fact that this European supergroup features members of Gotthard and Krokus. That should be enough alone to secure the melodic rockers a decent audience, but in many ways, the biggest draw here is their choice of vocalist.
Great Adventure: A Beginner’s Guide To Magnum
They might not have ever made it as big as Thin Lizzy or Whitesnake, and they never cracked the American market, but few rock bands have ever been quite as reliable as Magnum. Their journey to becoming one of Europe’s best and most treasured bands wasn’t always smooth, but after years of hard graft, they eventually found fame in the early to mid 80s, becoming a fan favourite both in the live setting and on record. Perhaps more impressive is the band’s consistency in the songwriting department. Guitarist Tony Clarkin (1946-2024) had an ability to write both rousing rockers and thoughtful narratives with equal skill, and his gifts for writing songs with huge, sweeping melodies made him a true giant of melodic rock. Their vast catalogue contains relatively few weak releases, and in many ways, shows why Magnum albums have often felt like one of rock music’s greatest comforts. But…if you’ve never taken the plunge, or perhaps only ever bought the ‘Marauder’ live album and ‘On A Storyteller’s Night’, what have you missed? Here’s the Real Gone guide to the Magnum essentials!
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MAGNUM – Here Comes The Rain
Magnum’s twenty second studio album, 2022’s ‘The Monster Roars’, came as a welcome surprise. Although huge chunks of the record sounded exactly like the latter day Magnum that fans adored, a few of the tracks took a bit more of a bold move, musically speaking. There were moments where the usual pomp gave way to a bigger rock sound, and on the lead single ‘Steppin’ Stones’, Magnum showed off an unexpectedly soulful edge, proving that the veteran rockers – although often working in a comfort zone – still had a couple of newer tricks up their collective sleeve. In addition, Bob Catley’s vocals sounded stronger than they had in a while. Although the global pandemic had set the band back in terms of promotion, the rest from touring had obviously been beneficial.