TANGO WITH LIONS – The Light

After a five year recording break, ‘The Light’ marks the return of one of Greece’s most popular English speaking bands, Tango With Lions. With core sounds rooted within the early mid 90s, Tango With Lions are keeping the flame of European dreampop alive…or so it would seem if you were to only listen to the first few tracks of this 2018 comeback disc. ‘The Light’ presents lots of floaty, dreamy alternative sounds – ’tis true – but it ploughs deeper into bits of alt-folk than most dreampop acts would consider, or even dare.

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THE RAFT – Orion EP

There have been several albums and EPs released by The Raft since 2003, but few have sounded quite as much like a glorious love letter to the 90s as 2017’s ‘Orion EP’. Its four songs of haze and jangle pull influences from the usual suspects in shoegaze and dreampop – you’ll hear a dose of The Cranes here; a pinch of The Sundays there – but no matter what the ingredients, this musical recipe serves up a consistently feel good sound.

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CLIMBING ALICE – Living EP

At the beginning of 2016, Wakefield’s Climbing Alice sounded like a force to be reckoned with on their ‘Melt Yourself Up‘ EP. Mixing alt-rock, goth and shoegaze noises, the four piece band created a great listen via a wealth of influences. There wasn’t so much in the way of immediate hooks or catchy melodies, but if it were a riff or six you craved, the EP – and band – came up winning pretty much every time.

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God Damn unveil new video, announce short hiatus

They’ve had enough crossover appeal to play at both the Download and Reading/Leeds Festivals, shared stages with Foo Fighters and The Cribs and more.   Wolverhampton’s God Damn have now unveiled a new video for the devastating ‘I’ll Bury You’, a track that combines noisy art-rock elements with a sludge-fuelled riff.

The video marks the end of the current chapter in the band’s history.  They’re now about to take a short break and reflect before writing their next album.

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SALAD – The Lost Album, Vol. 1

It may have been snobbery due to Marijne van der Vlugt’s previous career as an MTV VJ, but the critics weren’t always so kind to Salad back in the 90s. Those who liked them, however – whether from a journalistic perspective or merely a fan – genuinely loved them. Between 1993-97, the band released a string of enjoyable EPs and two albums, but it was in the live setting where the band really shone, as anyone who saw them on a couple of Carter USM tours in 1994-95 will attest.

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