Alternative metallers The Fear had a very successful 2025. Not only did they release their debut ‘Falling Forward’ to a raft of online praise, but the band also got to tour in support of nu metal legends Snot. Not content with that, they also found time to record a bunch of festive tunes which, released as the ‘Christmas Time’ EP pretty much the moment December reared its very cold bonce, showed that the lads not only had a serious work ethic, but also a sense of fun.
debdepan (always lower case) are a Margate based duo who’ve been pitched as making “genre-blurring” music that’s “influenced by dance, art pop and grunge”. Sometimes, labels don’t work. Sometimes they’re so wide of the mark, they’re laughable. Sometimes, though, they can be pretty useful, and in this case, that short description is about as accurate as you’ll find. It certainly gives the listener a fair idea of what to expect when heading into debdepan’s excellent debut ‘Lovers & Others’, which presents five slabs of dark, danceable alt-rock which casts its net as far back as the 90s for influence, with a pinch of Curve and Garbage, but also has an ear on the contemporary.
Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got a really arty track with a strong 70s undercurrent, a disarmingly honest number from a young, up and coming singer-songwriter, some vaguely baroque adult oriented pop, a legendary band fusing different styles in an unexpected way…and more. As always, we hope you find something new to enjoy!
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It seems unbelievable that we’ve reached December already. It was only Easter a few weeks ago. Nevertheless, the end of the year is fast approaching and, as is traditional, we’ll be counting down the days to Xmas with the Real Gone advent calendar!
Five months ago, Vulgarithm released their single ‘Welcome To The Forgotten Show’, an angry workout blending dance beats and spoken word verses with an absolutely blistering chorus where the artist clearly looked to ‘Filth Pig’ era Ministry for influence. The verses might not have struck a chord with the rock and metal audience immediately, but the riff on the chorus came with such a force it was hard to ignore. With a sharp edge and an absolutely classic industrial sound, the rockier elements of the track helped to form the one man band’s best track to date.