For fans of shred-metal, Chris Impellitteri is a man who needs no introduction. With his eponymously named outfit, the Californian fretboard melter has been issuing discs filled with bombastic Euro-inflected metal for years, often with either ex-Joshua mouthpiece Rob Rock or ex-Rainbow man Graham Bonnet on vocals. Heavy and fast are Impellitteri’s two favourite styles – usually demonstrated together – and 2015’s ‘Venom’ (the band’s tenth album, breaking a six year silence) follows that expected pattern.
Hannah In The Wars: Upcoming live dates
NZ singer-songwriter Hannah Curwood, aka Hannah In The Wars, has a huge run of live shows upcoming. The shows begin on home turf and then find Hannah trekking across Europe, just ahead of the release of her debut full-length.
HORA DOUSE – Crash EP
On their ‘Crash’ EP from 2014, Mancunian alternative rock trio Hora Douse convey a sound that’s as familiar as it is ambitious; strands of math-rock collide with a more classic nineties sensibility, leaving behind three tracks that cover a huge array of influences and moods within what feels like a tiny fragment of time. These guys aren’t out to make noise for noise’s sake – even though there’s a time and a place for that. The three songs are angry, but not always confrontational, within their music – for those willing to invest the time – there’s a real sense of heart.
SKINNY LISTER – Down On Deptford Broadway
Skinny Lister will be known to some as a band who’ve shared a label and toured with Frank Turner; to others, a band who’ve made regular appearances at festivals, their quasi-drunken jigs designed to gee up those unwashed tent dwellers well on their way to having a skinful of Doom Bar. …And “designed” is somewhat of a sticking point here. Where you may feel The Pogues had a natural flair for drunken gigs and aggressive performances – it’s well documented that the Pogues bought the party with them wherever, whenever necessary – with Skinny Lister, any relative rowdiness seems very much a facade. Like Bellowhead (a bunch of public schoolboys trying to fool us into thinking they have deep traditions and folk roots) or Mumford & Sons (folk music for those who know almost nothing about folk music), Skinny Lister often sound as if they’re landing on their chosen bandwagon with a mighty thud. The bulk of ‘Down on Deptford Broadway’ is faux folk of the very worst kind.
REVOLUTION ROAD – Revolution Road
Snakes In Paradise, a Swedish band with an unhealthy Whitesnake obsession, released two rather fine albums back in the early-mid 90s. A self-titled/self released disc in 1993 set the bands bluesy AOR stall out for all to see, before a follow up ‘Garden of Eden’ [released on the now defunct MTM Music label] offered much more of the same a couple of years on, with a slightly bigger budget and increased confidence. The band were great at what they did and a good proportion of that greatness laid in the hands of vocalist Stefan Berggren, a man with a confident and natural delivery carrying more than a hint of Europe’s Joey Tempest in his style. SIP were never going to make the world think differently about big eighties rock sounds, but they gained a loyal fan base. Berggren’s talent had not gone unnoticed: after the demise of his own band, he was invited to become vocalist with Company of Snakes, a classic hard rock vehicle for ex-Whitesnake men Micky Moody and Bernie Marsden.