ANDREW GOLD – Lonely Boy: The Asylum Years Anthology

Andrew Gold had a prolific career, but to many people he will be best remembered for three songs.  The schmaltzy MOR pop of ‘Never Let Her Slip Away’ gave Gold a massive hit in 1978; his ‘Thank You For Being A Friend’ eventually became an evergreen number thanks to being re-recorded as the theme for hit US comedy The Golden Girls and 1977’s ‘Lonely Boy’ became a hit on both sides of the Atlantic.  A genuine pop classic, that song’s multi-layered kitchen sink arrangement ensures it sounds as good now as it ever did – a rival to the complex pop of 10cc and a track that gave Jellyfish every reason to exist.  It’s a four minute joy: a world of stabbed pianos and a story-telling verse leads into a massive chorus full of whoahs, which in turn gives out some great staccato guitar work and ultimately one of the greatest guitar solos you’ll ever hear.  If that sounds overly indulgent, it surely is – but it’s also power pop perfection.

‘Lonely Boy’ takes pride of place within this box set – presented in no fewer than four versions – but  that’s only a small part of the picture.  This anthology provides the ideal opportunity to explore Gold’s four albums for the legendary Asylum label, along with a host of extras within one lovingly curated package.

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ENUFF Z’NUFF – Brainwashed Generation

When Enuff Z’Nuff are at the top of their game, they’re a fantastic band.  Their first three albums (‘Enuff Z’Nuff’, ‘Strength’ and ‘Animals With Human Intelligence’ rank among the best melodic rock and power pop discs ever.  From that point on, you’ll find good songs scattered throughout their next half a dozen releases, but the cut and paste nature of these can be a little frustrating.  From 1999’s ‘Paraphernalia’ onwards, the band seemed to settle into a pattern of bulking out “new” releases with bits and pieces from their extensive vaults.  Their 2000 release ’10’ is a blatant example of this, having been pieced together from recordings made over the previous half a decade. Just one listen to ‘There Goes My Heart’ might even be enough to convince some listeners that the song had been kicking around even longer, such is its quality (being comparable to the best bits of the 1985 demos and the EZ’N debut album).  Their 2004 release ‘?’ was even more scattershot, featuring new songs alongside a bunch of material dating back to the ‘Animals…’ sessions in 1992.  Frankly, if the songs weren’t good enough in the 90s, they certainly felt like third division off cuts over a decade later.

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