TOMMY STINSON’S COWBOYS IN THE CAMPFIRE – Wronger

Tommy Stinson is a legend. His work with The Replacements provided the heart of the Minneapolis punk scene in the early 80s, and by the end of the decade, the band’s more melodic sounds had paved the way for varying styles of alternative rock. With his other often overlooked bands Bash & Pop and Perfect, he took the Replacements’ sound even further, dabbling with power pop and even rootsier sounds. With that in mind, although this release from his Cowboys In The Campfire is billed as a “country album”, it’s best bits aren’t quite as massive a musical shift as some people might believe.

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POLLYANNA BLUE – Trials & Tribulations EP

This debut EP from Pollyanna Blue is a short but amazing work. Latching onto a style where the alternative elements collide with a heavy electronic groove, they sometimes come across like a heavy version of Metric and Transister, but the musical duo wield some serious muscle and add their own much harder edge to a genuinely classic sound.

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REDEYE CARAVAN – Snake Oil & Lullabies EP

Formed in 2019, Greek band Redeye Caravan bill themselves as “dark country”, but their sound runs far deeper than that. For those people who are country averse, it’ll come as a relief that they don’t necessarily fit the country mould – or certainly not as a lot of people would perceive it. For example, the brilliant ‘El Muerto’ from their 2020 album ‘Nostrum Remedium’ actually plays more like a swamp blues; a landscape where acoustic slide guitars meet haunting harmonica lines and a gruff vocal comes a little closer to the work of Molly Hatchet. The same record features a choir of vocals exploring some moody folk sounds (‘Banshee’); a marriage of hefty twanging guitars and whistled melodies on a piece that’s clearly modelled on an Ennio Morricone score for a Western (‘Old Debt’), and even a mix of blues and cajun (‘The Road North’). There are hints of something a little more traditional when ‘At Gallows End’ plays more like a moody Johnny Cash number by way of Mark Lanegan, but it would be hard to pigeonhole the whole affair as “a country record”.

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ROBLEDO – Broken Soul

Chilean vocalist James Robledo came to most people’s attention as frontman with Sinner’s Blood, a metal band who’s debut album ‘The Mirror Star’ presented a combination of massive riffs and melodic choruses that had an old heart, but plenty of spark. Over the next few years, James kept himself busy by recording a solo album, landing the job as vocalist with Demons Down, collaborating with the often enjoyable Magnus Karlsson, and even appearing on a Michael Bolton tribute album.

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STRAWBS – The Magic Of It All

The Strawbs’ 2021 release ‘Settlement’ featured some fine music from the veteran musicians. Decades into their journey, it was possible for fans to experience Dave Lambert channelling Ant Phillips via some fine acoustic work, and moments where floaty, prog-ish arrangements lent the best material a thoughtful quality that really suited the band. Unfortunately, most of the album was rendered borderline unlistenable due to terrible vocals from Strawbs main man Dave Cousins. At best, he sounded like a ravaged old folkie – his voice worn by the years of musical storytelling; at worst, an asthmatic goblin, gargling with intent to sabotage the work laid down by his musical cohorts. It was the kind of album that all but the most diehard of Strawbs fans would spin three times and move on.

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