On this debut EP, The 355’s don’t exactly introduce themselves quietly. Within a couple of notes of the opening number – and lead single – ‘Jig A Jig Out’, the level of fuzz applied to the guitar work is off the chart, and there’s even an equally distorted vocal to match. It’s as if they’ve absorbed the best bits of The Black Keys and turned that duo’s typical schtick up to eleven. Although that bluesy element drops in intermittently during the next couple of minutes, effectively driving a great verse against a heavy drum sound, the bulk of this number is actually more concerned with much bigger rock sounds. Cranking the guitars, Adam Thompsett and Craig Lockwood fill the chorus and beyond with a great, overdriven riff that almost sounds like an old glam rock number retooled by a massive sounding garage rock band. This should be enough to appeal to a broad spectrum of retro rock lovers, even though the lyrical hook is a little more simplistic than was perhaps necessary. What that means, of course, is that the number is almost guaranteed to find an audience in high spirits in the live set, and its rowdy approach – combined with a fiery lead guitar break – more than suggests The 355’s are a band with a really gutsy edge. There’s time enough for a little melody here too, since the middle eight drops into a quietly atmospheric moment or two with a more soulful vocal, and this really helps the knockabout number feel far more well rounded.
Category Archives: Album & EP Reviews
ROB FILLO – Halfway Through The Dark EP
Canadian singer songwriter Rob Fillo isn’t too concerned with giving the world a traditional Christmas offering. There are enough people filling the shelves with Michael Bublé style romps through the classics, rehashing tales of reindeer bullying, or creating the musical equivalent of a Hallmark greetings card, with their chestnuts roasting on an open fire. Fillo’s holiday season plays more like a downbeat Mark Kozolek winter, or a Five For Fighting in a dour nod to the festive period, and is all the better for it.
THE WALK OFFS – Audio Recordings #5
In the middle of the 2020 pandemic, The Walk Offs released ‘Sorry For Nothing’, a lovably ragged EP that fused a bunch of blue collar rock influences with a love of the rough and ready style of The Replacements. It never pretended to be original, but between a few good songs and a lot of DIY spirit, it more than held its own in the entertainment stakes.
DMITRY WILD – Rock N Roll Is My Business / Son Of A Gun
Dmitry Wild’s 2022 long player ‘New York Stories’ was a record brimming with good tunes. The multi-talented musician filled its metaphorical grooves with a variety of sounds ranging from Strokes inspired garage rock (‘Summer of ’21’, ‘Sweetest Thing’), echoey semi-acoustic rock that sounded like ‘Space Oddity’ era Bowie fused with Tindersticks (‘Wizard’), moody singer songwriter fare with a gentle Nick Cave-ish undercurrent (‘God, Ghost and A Ship’), and even arty rock meeting with a slacker vibe (‘21st Century’). It showed a man capable of turning his hand various styles with relative ease.
NIGHTFREAK – Speed Trials EP
Nightfreak are a band who, in their own words, play “feral punk ‘n’ roll”. Bands sometimes have a skewed idea of how they sound, or of the intents and complexities of the music they play, but in this case, these three lads from Chicago are under no illusions. Their second release ‘Speed Trials’ fills a brutal ten and a half minutes with unrelenting material that pulls the best from Black Flag and Germs and marries that hardcore intensity to rock ‘n’ roll riffs that sound like bits of Rocket From The Crypt and New Bomb Turks colliding with Keith Morris performing with a genuine anger.