Back in the 00’s, US punks Chinese Telephones released a few split EPs and an album on It’s Alive Records (home of Gateway District, The Methadones, City Mouse and others) before calling time before the end of decade. They received some positive press, but in punk terms, never seemed to be mentioned as often as they deserved to be. This had as much to do with an over-subscribed scene as anything else. For those outside of Milwaukee, chances are that the only real encounters you had with the band back then came courtesy of the audio widget on the Last FM website which, in a pre-Spotify age, would happy drop tracks from the Chinese Telephones album between better known material from Teenage Bottlerocket, The Copyrights and The Lawrence Arms.
Category Archives: Album & EP Reviews
LALU – The Fish Who Wanted To Be King
Previously the keyboard player with Shadrane and Hubi Maisel, Vivien Lalu formed his eponymously named band in 2004. The idea was that the band would approach prog in a very unrestrained way, and also add contemporary elements to keep things interesting. Considering a lot of prog metal in the mid noughties seemed to consist of stuck-in-a-rut Dream Theater-isms – especially from DT themselves – and so much prog relied upon obvious influences, Lalu’s desire for a bigger and more interesting musical canvas wasn’t unwarranted. Of course, there were a few freewheeling, pioneering spirits then – not least of all Devin Townsend, always marching to his own drum – but prog metal definitely needed new blood at that time.
CARLA OLSON – Have Harmony Will Travel 3
Carla Olson has had a long and varied career. In the late 70s she was a member of new wave band The Textones with future Go-Go’s bassist Kathy Valentine; in the 80s, she recorded an album with Byrds legend Gene Parsons, and also co-wrote ‘Trail of Tears’, a track from guitarist Eric Johnson’s breakthrough album ‘Tones’. At the turn of the 90s, she recorded solo albums and played live with Rolling Stone Mick Taylor. Into the twenty first century, her on/off career went into overdrive as she continued recording as a solo artist, but also became a renowned producer. Those are just a few potted highlights from across several decades, but it’s fair to say there’s far more to Olson than an easy tag of “country singer”.
ROBERT REX WALLER, Jr. – See The Big Man Cry
In 2016, Robert Rex Waller released his solo debut ‘Fancy Free’. On that record, the sometime collaborator with I See Hawks In L.A. put his own stamp on a well curated selection of cover tunes, often with mixed results. Great versions of Neil Young’s often overlooked ‘Albuquerque’ and Dylan’s ‘She Belongs To Me’ gave the album an easily approachable core, whilst a drastically reworked version of The Doors’ ‘Crystal Ship’ showed how Waller was unafraid of rebuilding material from the ground up. Even when the material that wasn’t quite as interesting, showed off a man with a rich voice. The album certainly could have done without the misjudged version of ‘Waterloo Sunset’, but the good often outweighed the bad.
ROGER WATERS – The Dark Side Of The Moon Redux
Since Pink Floyd’s uneasy reunion at Live 8, Roger Waters has spent far too much time rubbing people up the wrong way. He isn’t shy in spouting angry political opinions via a webcam for the whole internet’s benefit, or offering other pointed opinions, even if they weren’t asked for. Following the release of the rather dull ‘Is This The Life We Really Want?’ – an album where the best arrangements seemed indistinguishable from lazy rehashes from a Waters past – his live shows became increasingly like political rallies with some songs thrown in. He’s spoken publicly many times about the war in Ukraine, siding with the Russians. He’s attacked British politicians, even stooping as low as to use disability hate speech against one MP. He was always a curmudgeon but, in 2023, the 80 year old ex-Pink Floyd bassist finally reached the point of being intolerable.