With an inventive approach that combines indie rock with psychedelia and a touch of 70s Krautrock, sci-fi obsessed Lancaster band Three Dimensional Tanks fill their fourth album ‘Attack’ with tunes that can be sharp and upbeat, lax and hazy and sometimes mange to be both at once. For lovers of music driven by retro organ work, it’s a recording that needs to be heard, since the energy these guys sum up is really impressive.
Category Archives: Album & EP Reviews
VULTURE WINGS – Funeral Grounds EP
Despite being billed as a death metal band, the material that makes up the bulk of Brazilian outfit Vulture Wings’ debut EP is surprising. Their music is very heavy, but retains almost none of the relentless pneumatics so often associated with the genre. This, of course, has the potential to make ‘Funeral Grounds’ a more accessible listen than most – provided that is, of course, you can get your head around a growling vocal.
THE DEMOS – Paramount Clouds EP
When New York duo The Demos released ‘Lovely‘ back in the mists of 2011, it was obvious that they recognised a hook and knew their way around a reasonable alt-rock/power pop arrangement. Sadly, the lo-fi nature of that recording, essentially demos passed off as a finished product, didn’t really show them at their best. There were at least a handful of tracks scattered among the dozen that wanted – even needed – a much better send off than they were afforded.
MASON SUMMIT – Gunpowder Tracks
For a man of just nineteen years of age at the time of recording this third album, Mason Summit’s songwriting ability stretches way beyond his years. On these twelve songs he applies his craft to retro sounds aplenty, on songs that span AM radio pop, country and occasional jazziness. In doing so, he comes up with a winning formula that should appeal to those who like their music to have a familiar echo of the past. Of all the superb qualities that ‘Gunpowder Tracks’ possesses, however, it is the over-riding sense of warmth that wins out and really makes the album so inviting.
HANDS OFF GRETEL – Burn The Beauty Queen
Fronted by singer-songwriter Lauren Tate, Hands Off Gretel’s 2016 full length ‘Burn The Beauty Queen’ is unashamed in borrowing a lot of influence from the 90s. With elements of Nirvana, Hole and occasionally the more tuneful edge of various other alt-rock and grunge sources, its tracks take a trip through a world of big riffs on songs with a very female perspective. Almost like the missing link between Hole’s classic ‘Live Through This’ and their far more commercial ‘Celebrity Skin’, it’s an album that’s very well put together – the production is excellent, the playing very good, the songwriting often possessing a spirited quality – but it’s also sometimes a bit too calculated, like experiencing the riot grrrl movement through a Tim Burton filter. For all of their talent, Hands Off Gretel appear as a garish, stripy legginged, teen goth fantasy of what the grunge fuelled early-mid 90s were like, had there been no surviving archival references. The album in turn almost presenting the past as if Courtney Love were only remembered via folk tales passed down through a generation.