Category Archives: Album & EP Reviews

SIMON HINKLER – Moving On EP

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Simon Hinkler (aka The Wing Commander) was the guitarist with a formative line up of Pulp, playing guitar on their 1983 album ‘It’ long before Britpop was even a twinkle in the NME’s eye. He’s guested with Eden House and The March Violets and had an on/off solo career. For many, though, he will be best known as guitarist with The Mission, playing an invaluable role in the creation of their first four – and best – albums between 1986 and 1990.

Hinkler’s 2018 solo EP ‘Moving On’ might be short, but it draws heavily from years of experience and dabbles with different styles and moods, all with equal charm. The sharp changes in mood are probably due to the songs being written across a decade or more, but as an overview of a sometimes underrated talent, it all works brilliantly.

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DARTO – Fundamental Slime EP

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Formed in Seattle in 2010, experimental electronic act Darto have spent years carving themselves a niche in the musical underground. Their music, while always interesting, isn’t always completely accessible; that said, somewhere within its darkness – for those able to invest the time – haunting songs eventually emerge. Don’t expect big hooks, though, since Darto are all about the overall mood. On their 2018 EP ‘Fundamental Slime’ (recorded by the legendary Steve Fisk), the songs take many cues from the darker and artier side of the late 70s – a period after Roxy Music had all but abandoned art for pop sheen and Ultravox were not the worldwide hit makers known to millions, but a Roxy/Eno obsessed synth band.

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KUROKUMA – Dope Rider EP

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‘Advorsus’, the 2016 debut from UK sludge fiends Kurokuma, was easily one of the heaviest things to be released that year. Since then, the band have played various live shows, one of which was released digitally for posterity; they’ve contributed to a split release with sludge pioneers Conan and even found time to record a Kraftwerk cover. Nobody expected that. With one thing and another, even though it has only been two years, a proper studio follow up from Kurokuma seemed to be a long time coming.

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1968 – Ballads Of The Godless

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At the very beginning of 2016, a doom-blues/stoner trio crawled from the wilds of Cheshire and into the ears of an unsuspecting audience. Amping the blues much further than most had dared, their debut EP presented a cornucopia of heavy riffs; their music a fuzzy love letter to metal’s founding fathers. Almost twelve months later, that EP remained almost unsurpassed, marking a place among the year’s finest metal achievements. A year on, the band signed with Black Bow Records – home to Bast and Mammoth Weed Wizard Bastard – for a well received follow up.

2018’s ‘Ballads of The Godless’ – released through HeviSike Records is, well, heavy. Sometimes drainingly so. However, if you’ve already been acquainted with the 1968 sound, the album brings forth plenty of superb riffs; riffs which, when dressed in the band’s signature sludgy sound, have a timeless appeal. Timeless, of course, if you like Orange Goblin, Electric Wizard, Sloburn and Slomatics. As before, if you’re able to see through the heaviness, it also includes some fine, blues tinged sounds that – thanks to a very old-fashioned production style – are a welcome nod to a world of fuzzy analogue grooves in an all too digital age.

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DORKATRON – The Extra Mile EP

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Dorkatron are a straight-up pop-punk band from Austria. Featuring ex-members of DeeCracks, the band arguably gained their most attention in 2017 when they released a Star Wars themed track, ‘May 4th’…at a timely moment in December. Such a funny thing to do. Perhaps they were inspired by the chaos and bewilderment of The Star Wars Holiday Special? Whatever, the main thing you need to know about Dorkatron is that despite not having the best name in the world, they create fine, fine melodic punk; better than a lot of the tunes given to the world by DeeCracks themselves, in fact, since, above all else the vocals on this second EP are hugely melodic. …And when it comes to a bit of longevity, that’s quite important.

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