UK alt-rockers Dead Wolf Club are back. They’ve got a double A-sided single out on Big Tea Records/Scene Not Heard in a couple of weeks (as part of Big Tea’s wintertime threesome) featuring tracks from ‘RAR’ and ‘Healer’, but more importantly are also about to enter the studio to record a new album.
Author Archives: Real Gone
A winter trio of singles from Big Tea Records
Starting next week on the 17th November, Big Tea Records is releasing a trio of singles. A new track from ‘Silver Arm’ [streaming here] is joined over the following two weeks respectively by releases from Elastic Sleep and Real Gone favourites Dead Wolf Club.
You can read the full press releases from Silver Arm and Elastic Sleep below.
Read a review of Silver Arm’s ‘He of the Slow Creep’ here.
Read a review of Dead Wolf Club’s ‘Healer’ here.
Read a review of the Elastic Sleep EP here.
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VOICE OF ADDICTION – Modern Day Meltdown EP
Ten years on from the release of their debut LP and some seven hundred live shows later, Chicago punkers Voice of Addiction show absolutely no sign of getting stale on their sixth release ‘Modern Day Meltdown’. Its four songs showcase a tough musical style and some rousing choruses, as well as stretching a punky base to allow for a few broader sounding musical passages along the way. There’s absolutely no indifference within the ranks here; Voice of Addiction set out to grab their listeners from the very first notes…and then keep them.
New track streaming from Silver Arm
Earlier in 2014, Big Tea signings Silver Arm released their debut EP, the excellent ‘He of the Slow Creep’ [review here].
We’re now reaching the end of a great year for music and Silver Arm have returned! You can now stream their new track – courtesy of Big Tea Records – in full below.
QUEEN CHIEF – Queen Chief EP
Queen Chief are an alt-rock band led by Justin Lien, a young musician with Native American and Germanic/Nordic roots. Their debut EP throws the listener in at the deep end with a particularly grand approach. It’s a concept release bringing (in the band’s own words) “a brutally honest, heavy rocking representation of life in the Northwestern United States’ low income suburbs and Native American reservations”. No messing there. Just as direct as the attitude driving the band, the tunes themselves pack a huge punch throughout – most carrying a weighty riff; each riff then given a huge send off courtesy of King Black Acid member and producer Daniel Riddle. The resultant sounds, resting somewhere between post-grunge and a hybrid of psychedelic blues, all come with plenty of volume – even if played quietly – and just as much attitude.