In 2022, British metal act Skye released their ‘Foundations’ EP, which shared three contemporary sounding tracks, blending a pleasingly heavy tone with a melodic core that advertised them as the kind of band who’d have a crossover appeal.
Author Archives: Real Gone
PETER ALEXANDER JOBSON – Burn The Ration Books Of Love
Peter Alexander Jobson mightn’t be a household name, but the singer-songwriter/multi instrumentalist has carved out a long and successful career. He spent sixteen years as a member of I Am Kloot, a moody rock band who achieved great success, eventually earning a Mercury Prize nomination. Under his own name, he has recorded soundtracks for film and television, and also supported the massively popular Elbow on tour. For some, his solo debut ‘Burn The Ration Books of Love’ has been eagerly awaited.
Watch: Eastbourne punks CHUB crank the speed on ‘California Reaper’
Eastbourne has often been labelled an old peoples’ town. Comedian Lee Evans once joked that the shops all had bifocal windows. It’s true that it lacks the vibrancy of the nearby city of Brighton, but Eastbourne is far from being somewhere that people go exclusively to live out their final years. Party punks CHUB aren’t just set on putting the town on the musical map; they’re also seemingly making a play for becoming one of the noisiest things to ever emerge from that south coast seaside resort.
THE REAL GONE SINGLES BAR #77
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time around, our chosen eight numbers take in some ska, some chunky country rock with the emphasis on the rock, a couple of brilliant synth oriented tracks, a treat from the shoegaze archives, and more besides. As always, we hope you find something new to enjoy.
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Watch: ‘Stoneman’ – a brand new video from KOYO
KOYO’s third album, ‘Onism’, (released November 1st) saw the experimental band evolving. The featured material captured many of the complexities of past works, but by introducing a heavier edge in places, the band’s alternative sound embraced more of a post-rock aesthetic. Despite the confident changes and the fact that bits of the material drew from a huge pool of influences, the record proved that KOYO were keen to forge their own musical path.