A lo-fi alt-rock trio from Brooklyn, The Rizzos will already be familiar to some DIY music aficionados due to their inclusion on the second King Pizza Records sampler issued in November 2014. Their track ‘Do Anything I Want You To’ celebrated the sounds of early 60s girl groups with its post-doo wop sounds, taking Phil Spector’s dream and running it through several fuzz pedals en route, ending up sounding like a restrained Kat Bjelland playing The Crystals. In just under three minutes, The Rizzos proved they had some reasonable chops, paving the way for their then upcoming release.
Author Archives: Real Gone
Bob Mould announces solo electric shows
Bob Mould, the one time front man with Husker Du and Sugar will be playing a handful of solo dates in the US later this year. The shows are “solo electric”, just Bob and electric guitar, with support from Justin Narducy.
IMPELLITTERI – Venom
For fans of shred-metal, Chris Impellitteri is a man who needs no introduction. With his eponymously named outfit, the Californian fretboard melter has been issuing discs filled with bombastic Euro-inflected metal for years, often with either ex-Joshua mouthpiece Rob Rock or ex-Rainbow man Graham Bonnet on vocals. Heavy and fast are Impellitteri’s two favourite styles – usually demonstrated together – and 2015’s ‘Venom’ (the band’s tenth album, breaking a six year silence) follows that expected pattern.
Hannah In The Wars: Upcoming live dates
NZ singer-songwriter Hannah Curwood, aka Hannah In The Wars, has a huge run of live shows upcoming. The shows begin on home turf and then find Hannah trekking across Europe, just ahead of the release of her debut full-length.
HORA DOUSE – Crash EP
On their ‘Crash’ EP from 2014, Mancunian alternative rock trio Hora Douse convey a sound that’s as familiar as it is ambitious; strands of math-rock collide with a more classic nineties sensibility, leaving behind three tracks that cover a huge array of influences and moods within what feels like a tiny fragment of time. These guys aren’t out to make noise for noise’s sake – even though there’s a time and a place for that. The three songs are angry, but not always confrontational, within their music – for those willing to invest the time – there’s a real sense of heart.