During the first half of 2025, The Rockerati made their mark on the rock underground with the help of two excellent singles. The first, ‘Analogue Again’ set a great pub rock sound in place; loaded with solid riffs and a melodic edge that called back to the likes of Rockpile, it showed how the Brighton based act valued great influences more than they valued the notion of perceived “coolness”. That school of thought went into overdrive when the band dropped a bunch of Quo-esque riffs into the great ‘Big Dog’; with a bigger sound in place, the track demonstrated how tough The Rockerati could sound with an increase of both power and volume, and how solid playing will often trump originality.
Author Archives: Real Gone
CLEAN LINES – Nuisance EP
Clean Lines isn’t necessarily the best known name in punky circles, but the band have put in some hard yards on the live circuit in the US. They’ve shared stages with Me First & The Gimme Gimmes and The Kids, and have creative links with Geraldine Fibbers and Circle Jerks. They caught the attention of The Briefs’ vocalist Steve E. Nix, who eventually joined their musical ranks.
THE REAL GONE SINGLES BAR #110
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. In this rather mixed bag, you’ll find old school balladry with an obvious love for Roy Orbison, some great roots rock from the UK, a noisy and slightly avantgarde comeback track, all sitting alongside something clearly inspired by the mighty Mercury Rev. With a folky tune, a solid slab of metal and a number with a light prog influence also present, we hope there’s something here for almost everyone.
*
Check out ‘Backbone Of Existence’, the new video from Perpetual Paradox
In May 2025, British tech metallers Perpetual Paradox released ‘Ash & Blood’, an absolutely face melting single which provided the first taste of their forthcoming full length. In terms of all round heaviness, this was a track that didn’t hold back. Unlike some extreme acts, though, this band clearly understood the need for other elements in order to maintain long term interest. Against the extreme riffs, the track also found time for a more melodic thrash influenced interlude and contrasted the aggressive edge with some finely tuned prog metal theatrics.
Premiere: Check out the new single ‘Susciety Gurl’ from Philadelphia’s Lunison
Lunison’s debut EP ‘See Me As A Friend’ presented five tracks where a rock core sound was twisted into some very interesting shapes. ‘Name Three Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.