Today sees the release of The Big Deal’s second album, ‘Electrified’. It’s a record that shows none of the signs of being a “difficult” follow up to an excellent debut, partly because the Serbian rockers have stuck to a familiar blueprint. The mix of bombast, melody, melodic metal crunch and soaring hooks works just as well for them the second time around.
Author Archives: Real Gone
THE REAL GONE SINGLES BAR #87
This week’s Singles Bar is a rock-centric affair, but we’ve attempted to pull together a selection of tracks that really capture a wealth of different moods. There’s a track with 90s dream rock/shoegaze flair, a slab of Finnish metal with thrash elements, a classic sounding and very 90s influenced tune, and something with light prog leanings. Those hoping for something highlighting other genres should also find pleasure within some great power pop and a timeless sounding country-pop number marking the return of a great singer-songwriter. January is often notoriously quiet for new releases, but there should be enough here to pique your interest as usual!
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SMOKE AxD – Vaya Con Dios EP
Smoke AxD (aka Smoke All Day) brings together artists previously associated with Madball, Crown of Thornz and Hatebreed, which, in hardcore terms, sounds like it should be pretty amazing. On this EP, those musicians bring some massive riffs, as you’d expect, and the vocal performances often attack like a concrete sledge. There are a lot of moments where the material sounds like something unearthed from the late 90s, so they’ve got that classic/nostalgic angle covered too. So, why then, do the five songs on this EP sound so…frankly uninspired?
THE HOLY KNIVES – I Don’t Wanna Win EP
On their 2018 full length ‘Year Of The Dog’, rock duo The Holy Knives shared some very full sounding, atmospheric songs. The material had a definite core sound: bits of melodic garage rock could be found meshing with even older influences, resulting in tunes like ‘Memory Book’ sharing a huge vocal against a hefty drum beat, ‘Loose Tooth’ working a wobbly twang against a massive croon, taking a little more of an atmospheric indie rock stance and, in an unexpected twist, ‘Lucky Day’ sounded like an old Chris Isaak number remixed by Portishead man Geoff Barrow. It was the kind of record that set solid foundations for future works.
On their 2020 EP ‘Always Gone’, the cinematic elements of the Holy Knives sound used keys to create something even more retro, and by the time of their 2023 single release ‘Keep On Lyin’, even more of a groove had been established, showing how even though this duo had a sound that worked for them, Kyle and Kody Valentine certainly weren’t shy of embracing a natural musical progression.
THE BIG DEAL – Electrified
Serbian band The Big Deal released a very confident debut in 2022’s ‘First Bite’. Although their music wasn’t particularly original, the album’s best tracks showcased talented musicians, capable of sharing a huge sound, and whose brand of melodic rock and metal consistently hit the mark with strong callbacks to Pretty Maids and other Euro fare.
Following the album’s release, guitarist Srdjan Brankovic made a great contribution to Ronnie Romero’s ‘Raised On Radio’, but then seemed to disappear. Considering he guested on a number of albums up to this point, his relative quietness came as a surprise, but his fans will certainly welcome his return here, and find plenty to enjoy within his work on this second release from The Big Deal. Much like before, the best material places Brankovic’s guitar playing rather highly in the end mix, but there’s very much the feeling that this is a genuine band project, rather than merely just being the Srdjan show with a few in-house hired hands.