On their previous single ‘Cobweb’, Bristol based rock band Chasing Dolls managed to blend indie guitar lines with a post hardcore aggressiveness resulting in something that, although rather angular, served up an interesting arrangement. The track came with a very abrasive vocal that mightn’t be to everyone’s tastes, but it certainly marked out the band as one to keep an ear for in future.
This visit to the Singles Bar brings some great music, ranging from a 90s influenced alternative pop tune, to a strange slice of prog that sounds like it should score a folk horror film, to a brilliant soul tune with a timeless quality and even a hard electronica number that marks the pinnacle of work from cult act. You’ll find a couple of names making their return to the SB this time around, but the selections are anything but predictable! As always, we hope you find something new to enjoy!
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In the summer of 2025, Lunison released ‘Fakepink’, a debut album that showcased a variety of rock and pop styles over the course of a very tight half an hour. There were moments when the record sounded like the work of a couple of different bands, but due to the obvious love the band showed for their work, the potential lack of flow never hampered the listening enjoyment.
Things have taken a surprisingly heavy turn in the Quality of Mercury camp. ‘The Voyager’ – the first single and title track from the band’s second album opens with a riff that, unexpectedly, blends the density of classic shoegaze with the dark edge of doom metal. This, as you would expect, sets about crushing the audience in a very direct manner.
Five months ago, Vulgarithm released their single ‘Welcome To The Forgotten Show’, an angry workout blending dance beats and spoken word verses with an absolutely blistering chorus where the artist clearly looked to ‘Filth Pig’ era Ministry for influence. The verses might not have struck a chord with the rock and metal audience immediately, but the riff on the chorus came with such a force it was hard to ignore. With a sharp edge and an absolutely classic industrial sound, the rockier elements of the track helped to form the one man band’s best track to date.