On their debut album ‘1823’, US metal band EMBR wasted no time in introducing their talents with a heavy riff. Across its seven songs, there were strong callbacks to doom and sludge greats like Crowbar jostling with flourishes that suggested a love of the darker side of the grunge and goth movements. Unlike so many other similar releases was a strong melodic core, helped no end by some great vocal performances from Crystal Bigelow. The band closed the year with a surprise covers EP, ‘Idolatory’, which further showcased their natural abilities for heavy sounds, as well as a love for some of Seattle’s finest exports. After that release, there was no doubt that this would be a band to watch out for in the future.
Author Archives: Real Gone
MOJO DINGO – Mojo Dingo
As has been said many times, there’s a whole universe of Australian rock and pop bands that have never really made a great impact outside of their home country. Obviously, sites like Bandcamp and streaming services – love ’em or hate ’em – have really helped in getting some of the more underground talents into people’s ears, but all too often, so many Aussie bands have had to rely on a domestic fanbase. As it is with rock, there’s an Australian blues scene that’s barely made a blip on the UK and US record buyers’ radar, with performers like Ray Beadle, The Chris Mawer Band and Kara Grainger helping to fly the flag for the most timeless of genre sounds.
REAL GONE GOES OUT: The Specials – Dreamland, Margate, Kent 28/8/2021
It’s a bank holiday weekend in Margate. The sun hasn’t shone properly for what feels like an age, but a huge crowd are still clinging on to a summer spirit and are clearly hoping The Specials will bring some extra good vibes to the seaside town on the first night of their ‘Protest Songs 1924-2012’ tour.
Big River return with a new line up and new sound on ‘Don’t Hold Out’
Over the couple of years before the global pandemic forced everything into lockdown, UK blues rock band Big River found their profile steadily rising. The release of their debut album ‘Redemption’ showcased a band who were much better than their early singles – all huge riffs and overtly macho lyrics suggested – when mixing their grittier elements with a few more AOR-centric rockers and a couple of soulful rock ballads.
ENUFF Z’NUFF – Never Enuff: Rarities & Demos
Enuff Z’Nuff have never been shy of digging up old recordings in the name of a new release. The band began their “patchwork” approach to making albums as far back as 1996 when their sixth release ‘Peach Fuzz’ was constructed from material that wasn’t considered suitable for their 1994 album ‘Tweaked’ and then fleshed out with a couple of b-sides from 1991. In the case of that album, the old-for-new approach could be easily forgiven, since all of the material was first rate. ‘Peach Fuzz’, against the odds, rivals 1991’s ‘Strength’ as EZ’N’s finest hour.