BRASS OWL – Brass Owl

Founded in 2017, Brass Owl is an Ohio based power trio delivering a hefty dose of blues rock, often with a very southern twang. Their choice of sound often falls somewhere between Black Stone Cherry, something featuring Zakk Wylde and the more tuneful bits of Corrosion of Conformity (circa their John Custer produced millennial masterpiece ‘America’s Volume Dealer). Those influences alone should guarantee them a fan following. However, it’s what a band does with their influences that really counts and it’s probably fair to say that Brass Owl’s debut is a mixed bag.

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SAXON – Innocence Is No Excuse

As 1984 drew to a close so, too, did Saxon’s contract with Carrere Records. The past few years had been good to them, though: in a little over five years, they’d released seven albums for the French label, which scored six top twenty UK chart positions. That year’s woeful ‘Crusader’ aside, it represented an impressive body of work, one of which any classic metal band could be proud. Obviously, with Saxon being one of the decade’s biggest metal acts, a new deal wasn’t hard to secure and Biff Byford and the boys subsequently signed with giants EMI for a three album deal that would last the rest of the decade.

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REO Speedwagon to release ‘Early Years’ box set in September

For melodic rock fans, REO Speedwagon are a much-loved band. Their massive 80s hits ‘Keep On Loving You’, ‘Take It On The Run’ and ‘Can’t Fight This Feeling’ are genre classics…and for good reason. As bigger fans know, there’s always been more to the band than the 80s sheen of their career peak.

In the 70s, the band released a string of albums containing rockier material which, despite shifting band line ups, is every bit as entertaining as their better known material. Those earlier albums were host to more than their share of REO classics and tracks like ‘Ridin’ The Storm Out’ and ‘Time For Me To Fly’ have remained part of the live set for decades.

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3.2 – The Rules Have Changed

Shortly after the demise of the short-lived Emerson Lake & Powell, keyboard maestro Keith Emerson and drummer Carl Palmer teamed up with ex-Hush multi-instrumentalist Robert Berry to form the melodic rock outfit 3. Their sole album, 1988’s ‘To The Power of Three’ presented a great selection of melodic tunes with occasional progressive flourishes, but despite yielding a US hit single, the album itself wasn’t a commercial success on either side of the Atlantic.

By the early nineties, Keith and Carl had reunited with their old bandmate Greg Lake, whilst Berry embarked on what was to be a very prolific decade of recording. He recorded albums with AOR band Alliance, contributed to several progressive rock tribute albums and even re-booted his solo career. His 1992 release ‘Pilgrimage To A Point’ is a melodic rock/accessible prog classic and in ‘Last Ride Into The Sun’ (an unreleased leftover from the 3 days) even gave prog rock fans something infinitely more proggy than the commercially driven 3 album had allowed.

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