Jani Lane: February 1, 1964 – August 11, 2011

Former Warrant singer Jani Lane passed away on 11th August 2011. He was found dead in a hotel in Los Angeles.  Sometime after his death, investigators found a half-empty bottle of vodka and prescription medication at the scene.

Lane, 47, was one of the key figures in the glam metal movement and Warrant’s first three albums are considered genre classics, while the second – 1990’s ‘Cherry Pie’ – contained MTV favourites in ‘Uncle Tom’s Cabin’, ‘I Saw Red’ and the title track.

While Warrant’s third album -1991’s ‘Dog Eat Dog’ – isn’t always as fondly remembered, at the time of release, it was Lane’s favourite Warrant album to date.  In an interview for rock music TV show ‘Raw Power’ (shown in the UK in the small hours of Saturday mornings), Lane stated “it was the first Warrant album [he] was really happy with”, before going on to say he wanted to “burn the first record and completely re-do the second”.

After touring ‘Dog Eat Dog’, Lane left the band, although his absence was only temporary – he returned just a few months later.  After his return, the band’s popularity began to fade but they continued to record and release albums.  In many respects, the slightly alternative sounding ‘Ultraphobic’ from 1994 showcased the band in their most assured musical roles.  Although there were moments where the newer Warrant had a hint of King’s X and the songwriting often showed a whole new maturity, Lane’s vocals remained very distinctive and totally professional.  Speaking in a largely unread interview with Fastlane Magazine at the time of the album’s release, Lane said of ‘Ultraphobic’: “the record is getting lots of great reviews in places we wouldn’t expect.  I’m having my faith restored.”

Lane’s solo career got off to a false start when his first solo album, provisionally titled ‘Jabberwocky’ did not receive a release.  His second solo record, ‘Back Down To One’ was released on the independent British label Z Records in 2002, remaining unreleased in the US until four years later.  After the album’s original release, Lane checked into rehab having suffered alcohol and drug related exhaustion.

In 2004, he officially left Warrant after legal disputes and continued his solo work.  A band, Saints of the Underground, teamed Lane up with members of Ratt and Keri Kelli, who first achieved cult status with glam band Big Bang Babies, before joining Pretty Boy Floyd and Adler’s Appetite, while Lane also contributed vocals to various different metal compilations of re-recorded rock classics and tribute albums.

His last work was an appearance on VH1’s ‘That Metal Show’ – recorded on July 23rd

Lane’s career may never again have hit the heights of his earlier years with Warrant, but with those years he left glam metal an absolutely fantastic legacy of songs.

BRIDGER – Bridger

Bridger is a melodic hard rock band which brings together musicians from two different camps. Guitarist Glen Bridger and bassist Greg Manahan are both known for their involvement with the latter-day line-up of classic rock band Head East (though in a live setting only, since as a recording unit the band has been inactive since 1988), while vocalist Terry Ilous is somewhat of a cult figure in melodic rock circles, having worked with XYZ. Given the people involved, this outing by Bridger could have been great. However, after only a few songs have passed, it seems to be one of those albums which feels like it’s dragged on forever. Even the once brilliant Terry Ilous sounds like he’s going through the motions, often only putting in a fraction of the effort he put into his early XYZ performances.

After four numbers of woefully predictable hard rock, things improve somewhat with the country rock influenced ‘Without a Sound’, which is better arranged than anything else on offer here. The guitars are more subdued, a piano fleshes out the sound rather nicely and ample space is given to a friendly steel guitar part played by guest musician Mark Murtha [best known to AOR fans as the guiitarist for London Drive, an oft forgotten band who released one album via BPM Records back in the mid-90s]. Terry Ilous’s vocals are slightly improved here too, but soon enough, everything reverts to being rather flat once the band launches into ‘I’m Free’, a track which makes them sound like a poor imitation of Blessid Union of Souls.

‘Gonna Get Better’ is the album’s punchiest track, with Ilous turning in a vocal which has a nasty sneer, but he’s still very much under par. In the hands of a more interesting band the amount of riffing and half-decent guitar solo could have provided a golden moment, but Bridger sound hopelessly uninspired. The harder riffing also shows up the less-than-perfect production values too. The strings and piano ballad ‘Once In A Lifetime’ shows a completely different, much softer side of the band, with Ilous’s curly vocal hitting the mark surprisingly consistently. The piano playing is decent enough, though not really in the big leagues with Journey’s Jonathan Cain, but Glen Bridger’s acoustic guitar flourishes are more than commendable. Given that it’s one of the tracks which raises the bar a little in terms of arrangement, it’s a shame the song is still pedestrian and unimaginative.

Closing the disc is something which you’ll probably never want to hear more than once. In tribute to the legendary Ronnie James Dio, the band soldier their way bravely through a cover of Black Sabbath’s ‘Heaven & Hell’. On the plus side, it’s here Terry Ilous sounds the most like he did back in the day, but nothing else deserves any credit, especially not the slightly grating drum loops used throughout…

Who’d have thought an album featuring Terry Ilous could be so underwhelming? There’s rarely anything which truly lights a fire in the way you’d hope. Fact is, though, at least 70% of this album is dull. The songs are often so by-numbers they’re almost instantly forgettable, the production is middling and even Ilous’s voice lacks most of the power it once had. They say you should never judge a book by its cover but Bridger – both the band and album – is as uninspired as its “three minutes with a photograph and software” packaging – for which, let’s hope no professional designers got paid. Those who are very easily pleased may find something of worth here, but truthfully, ‘Bridger’ is just another melodic rock album to add to the already landfill’s worth of melodic rock albums which are destined to be forgotten.

August 2011

Sepultura live at Wacken – August 2011

In support of the release of their 12th studio full-length album ‘Kairos’, thrash legends Sepultura played an hour’s set at the open air Wacken festival in Germany on August 8th. The set featured two songs from the band’s new album alongside a bunch of Sepultura classics, and a Ministry cover. You can watch the whole show by clicking below.

‘Kairos’ is the band’s first release for the Nuclear Blast label and the second not to feature either of the Cavalera brothers who founded the band back in 1984.

01. Intro / Arise
02. Refuse/Resist
03. Kairos
04. Just One Fix
05. Convicted In Life
06. Choke
07. What I Do!
08. Relentless
09. Troops Of Doom
10. Territory
11. Inner Self
12. Ratamahatta
13. Roots Bloody Roots

Free download from Katie Herzig

Grammy-nominated folk-rock/pop singer-songwriter Katie Herzig has a new album due out at the end of September.

‘The Waking Sleep’ with be available from itunes and other retailers from the 20th, but if you can’t wait until then, she has offered a free download of a new song, ‘Free My Mind’, which is available from the widget below.

Katie will be also playing a run of live dates across the US to promote the new release.  View the tour dates and get tickets here.

Keyboard legend Jon Lord to undergo cancer treatment

Legendary keyboard player Jon Lord has been diagnosed with cancer.

Lord, 70, is best known for his work with Deep Purple, with whom he performed on 16 studio releases and countless live albums recorded between 1968-1998.

He released the following statement via his official website:
“I would like all my friends, followers, fans and fellow travelers to know that I am fighting cancer and will therefore be taking a break from performing while getting the treatment and cure.

“I shall, of course, be continuing to write music — in my world it just has to be part of the therapy — and I fully expect to be back in good shape next year.

“God bless and see you soon.”