Autumnwind isn’t really a band; it’s a huge musical vision where its founder, Abdulrahman Abu Lail writes and plays everything. He uses this one man band as a vehicle for emotional outpouring, in his own words, as a way of “mind-describing” his own feelings through intensive music. This third album makes that theory even clearer by giving its five pieces of music titles which reflect emotive states. The results, as expected, are very heavy, though never so confrontational you’d struggle to listen or, indeed, want to shut off the feelings that Abdulrahman is keen to share.
King Black Acid started as a bedroom project for song writer and multi-instrumentalist Daniel Riddle. Over the course of a few years, it has evolved into a full band, often with a revolving cast, dependent on Riddle’s own musical needs. Past King Black Acid alum have included Pigface’s Joseph Trump, Scott Adamo of the Wipers and Richmond Fontaine’s Dan Eccles.
In 2011, Devin Townsend released his fourth “project” album, ‘Ghost’. A record heard by millions, it combined ambient-ish qualities with a mellow style that showed off a very relaxed side of the man who once gave us skull-crushing metal as frontman with Strapping Young Lad. Around the same time that those millions were getting (rightly) excited about Devin’s ‘Ghost’, somewhere in Northern Ireland, guitarist Andrew Danso had not long finished work on ‘f i n d’, a collection of largely instrumental soundscapes which appeared to share more than a few traits with Townsend’s record, but approached atmospheric music with an even spacier slant. The album, unsurprisingly, slipped under the radar of most of the people who really should’ve heard it, as is the plight of many an independent musician.