They say enthusiasm goes a long way. In the case of Filipino death metallers Comatose, it’s certainly true. With roots stretching back as far as 2003 and ties with a band called Church Burner, the band went through both a name change and various line-up changes before entering the studio to record their first official album in 2011. By this time, guitarist LD Lee remained the only original constant, but he never gave up on his quest to bring a brand of traditional death metal to the world. Even after the recording of the album, the band were beset by problems and the proposed release was cancelled.
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HARVEST – Omnivorous
There are literally millions of thrash and death metal bands out there on the underground scene. Some of them are as rough as hell, but once in a while, a band will come along with the possibility of knocking the listener sideways. Despite a reasonably low budget spent on their debut 2016 release ‘Omnivorous’, Panama’s Harvest are one such band. Pretty quickly, it’s clear that the bulk of their sound owes so much to pre-‘Chaos AD’ era Sepultura…right down to a many of the vocal styles. It must be something in those Central and Southern American waters.
VANAD VARJUD – Dismal Grandeur In Nocturnal Aura
Stripping away the lightning speed drums and very much favouring a mid paced plod, or a funeral march, Estonia’s Vanad Varjud experiment with some of black metal’s more avant-garde elements throughout their 2016 release ‘Dismal Grandeur In Nocturnal Aura’. Although they are billed as “ambient”, fans of genuine ambient music will certainly want to give this a wide berth. Judging by the four compositions featured on this release, the band don’t always seem to understand what ambient truly means. Most of the supposed ambient moments seem to be either just slow, or hastily composed oddness with a jarring noise for accompaniment.
DARKESTRAH / AL NAMROOD – Split EP
For those who feel that metal is a purile genre and that black metal is purely just noise, this split release from two underground bands will certainly challenge such ideas. Those who harbour such preconceptions are unlikely to step within a hundred miles of this release, of course, but that’s hardly the point. From Krygyzstan, Darkestrah fuse black metal themes with a few traditional Asian musical slants, while Saudi occult metallers Al-Namrood mix up black metal with some heavy folk metal influences. While the music on this split release can take a while to fully appreciate – if, indeed, in the case of Al-Namrood, it can be fully appreciated – it cannot be said that either band play to extreme metal traditions and that these tracks aren’t in some way surprising.
A THOUSAND SUFFERINGS – Burden
Belgian sludge/doom combo A Thousand Sufferings could never be accused to doing things half-heartedly. Sludge has always taken the nuts and bolts of Black Sabbath and slowed it and heavied it’s very essence to it’s logical extreme. A Thousand Sufferings, at first, seem to go one better, as even ‘Once In A Blue Moon’, a spoken intro, appears to adopt the sludge/doom ethos, as the band take what would have been a brief sample from TV drama ‘The Americans’, but play it back at half speed. The effect of hearing synth music, the sounds of helicopters and human voices played back at a much slower speed can be unsettling. The fact that one of the characters is halfway through a monologue regarding the chain of nature and mortality makes it all the more disquieting. It makes for a very slow and potentially quite grim three minutes. With this intro, the band builds tension in a really obtuse manner and the three proper tracks which follow – sprawling across over half an hour – are just as oppressive.