Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the past few weeks. This selection is another genuinely mixed bag, sharing – amongst other things – a country track, a dance number, a perfect homage to 90s shoegaze, and a tune from an up and coming rock band featuring a huge vocal. As always, we hope you find something new to enjoy.
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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past couple of weeks. This time around, we bring you a superb pop-rocker from a Scottish act, a massive slab of dub from a legendary figure, a pair of very different punkers, something folky, and a throwback to industrial’s 90s peak. As always, we hope you find something new to enjoy!
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Music obsessives keeping an eye on the underground at the beginning of 2025 might have already spotted The Gamblers making a few waves. The reggae band – fronted by punk band Booze & Glory vocalist Mark – rush released a couple of singles in January and February which not only provided an early showcase for the still new band’s writing talents, but coupled with great cover tunes, also suggested these were also musicians with great taste.
This third instalment from The Gamblers follows the exact same format as their previous releases, in that it pairs original piece with a well chosen cover. Hey, if it worked before, it’ll work again…right? Unfortunately, in this case, the answer is no.
The debut 7” from The Gamblers gave listeners a very accessible and direct insight into the new band’s key musical interests. The self-penned ‘Tonight’ introduced them with a tight arrangement, underscored by a great bass sound, and an attitude that suggested that frontman Mark – also of punk band Booze & Glory – had a deeper love of Jamaican sounds than many of his peers. For any doubters, the flip-side’s pin-sharp cover of The Pioneers’ ‘Let Your Yeah Be Yeah’ should have been solid enough to allay any fears that this was, in any way, a half-arsed musical diversion.
As a fixture within the punk underground, Booze & Glory have spent years carving out a niche with a street punk sound that crosses the more melodic aspects of Rancid with Swingin’ Utters. For lovers of that style, B&G have more than succeeded in sharing a world of rousing hooks.
A new project launched in 2024, The Gamblers finds the band’s vocalist – the mononymed Mark – branching out into the world of reggae. Their first release gives listeners a really well formed and direct example of the band’s sound, and by coupling a self-penned workout with a tune that’ll be familiar to almost everyone, it provides an easy entry point into their catalogue.