In June 2025, one man band Dotsun Moon released their third album, ‘Tiger’. Coming almost a decade after the previous Dotsun Moon album, you certainly couldn’t call multi-instrumentalist Richard Flierl prolific, but the record was certainly worth the wait. A clutch of pre-release singles suggested it would be a strong album, but those tracks didn’t quite capture the fullness of how great ‘Tiger’ would be. What’s more, those singles actually sounded even stronger when heard as part of the bigger picture.
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Watch: Sleazy Money share new video for ‘It Ain’t EZ’
In a world filled with great music and with new rock bands appearing on the scene weekly, chances are, you’ve not heard of Sleazy Money…yet. The British rock band have been making inroads into a career on a run of hard rock singles beginning with 2024’s ‘Problem Since Day 1’, a track which very much laid down the Sleazy Money blueprint with a barrage of tough riffs borrowing the energy of the New Wave of British Heavy Metal with the all round sleaziness of the US glam scene from 1987. In just four minutes, it was immediately clear that the marriage between Connor Palmer’s tough vocals and Joe Florence’s incendiary guitar riffs provided a solid union, and with the presence of a really tight rhythm section, the band were capable of whipping up some seriously old school melodic metal thrills.
Watch: Ward XVI share new video for ‘At The Window’
The opening drones of Ward XVI’s current single ‘At The Window’ immediately advertise something with a grandiose heart. This almost cinematic stance is perfect for the band, since it captures their huge sound in an instant, and when providing a massive backdrop for the verse’s more goth-tinged leanings, those keys sit naturally between a darkwave unease and an orchestral flourish, reminding listeners that this shock rock act doesn’t “think small”.
Watch: Silver Dollar Room share new video for ‘Monsters’
Barely six weeks after the release of ‘Come Morning’, Scotland’s Silver Dollar Room have returned with the immensely powerful ‘Monsters’, a riff heavy number that really shows off their alt-rock sound in the most direct way possible.
The track’s opening rhythm guitar salvo calls back to 90s emo with strong echoes of Shift within the tone. This catches the ear with immediate effect, suggesting that this could be one of the band’s biggest sounding tunes to date. From there, though, ‘Monsters’ grows into something huge; a tune that moves between a few very distinctly different musical passages, eventually peaking with an epic instrumental break, showcasing the band’s heaviest sounds to date.
Watch: Orchid Symmetry share new video for ‘Like The Sun’
Formed just before almost the entire world went into a pandemic related lockdown, Orchid Symmetry have released a steady stream of digital singles and a couple of EPs since 2020. The best of the singles, 2022’s ‘Monsters and Demons’ eschewed most of the band’s heavier tendencies in favour of an ominous sounding riff that reworked alternative sounds from the 60s for a contemporary hard rock crowd. Parts of the melody sounded if they were distantly related to ‘House of The Rising Sun’, whilst other elements conveyed the all round moodiness of The Doors and the strange paranoia at the heart of Love’s ‘Forever Changes’. Despite taking various older elements and throwing them into a blender, a very natural vocal and occasionally abrasive guitar tone provided a more contemporary sound and also a very strong link with prior Orchid Symmetry tunes.