Listen: Beat Me Outta Me have ‘Nowhere To Hide’ on new track

The second single from Peterborough’s Beat Me Outta Me is a pleasingly downbeat affair. It’s first two minutes comprises slow, acoustic strums and a mournful vocal, drawing the ear very casually. The music isn’t exactly minimalist, but has certainly been arranged in such a way that the listener is made to focus almost exclusively on Annie Dickson’s fantastic voice. This is a smart move; from the outset, she shows an ability to weave a fantastic, almost mournful tone that suits the arrangement perfectly.

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Listen: teethin release new single ‘Throwin Shapes’

A pumping bass that has a post punk edge, a weird clicking sound and a mumbling vocal: three things you wouldn’t necessarily expect to hear together, and three things that pretty much give no clue as to where teethin’s current single ‘Throwin Shapes’ is headed. It could be a punky banger; it could be a slab of post rock fury; it could be an abrasive piece of alternative dance…

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Premiere: Check out the new single ‘Susciety Gurl’ from Philadelphia’s Lunison

Lunison’s debut EP ‘See Me As A Friend’ presented five tracks where a rock core sound was twisted into some very interesting shapes. ‘Name Three Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.

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