At the end of a troubled 2020, Bakersfield ska men Mento Buru released an EP full of Christmas cheer. The sunny ska based rhythms were at odds with “chestnuts roasting on an open fire”, but that only added to the fun. Not everything on the ‘East Bakersfield Christmas’ EP was of a gold standard, but its best bits – including a terrific ‘Feliz Navidad’ – certainly made it worth checking out and definitely played to the band’s strengths.
Category Archives: Album & EP Reviews
THE DELINES – Christmas In Atlantis / San Leandro Lament
The Delines’ 2022 album ‘The Sea Drift’ was a little smoother than their previous recordings, but in many ways, the record’s soulful Americana sound created some of the band’s richest sounds to date. Its timeless sound also translated perfectly to the stage – perhaps, in some ways, a little too perfectly – but it definitely showed off a band at the peak of their powers.
INTO THE DEEP – Blackfin
Featuring ex members of Pivot, Into The Deep are a metal band who centre their musical narratives around conservation, the ocean and its wildlife, and other nautical themes. It’s a more than admirable idea, and certainly makes a huge change from thrash and hardcore’s often clichéd anger. It’s a shame, then, that most of their lyrical content on ‘Blackfin’ remains largely inaudible to the untrained ear.
WOLFORNA – Amandolyn / Something Missing
Following a string of digital singles released between December 2021 and June 2023, this double a-side from rock artists Wolforna continues the Bradford band’s musical ascent. They have shown an ability with a riff or three previously, but these tracks take their sound a little further and – in the case of ‘Amandolyn’, couples a great tune with a strong vocal that could well be their best yet.
THE 355’s – Jig A Jig Out EP
On this debut EP, The 355’s don’t exactly introduce themselves quietly. Within a couple of notes of the opening number – and lead single – ‘Jig A Jig Out’, the level of fuzz applied to the guitar work is off the chart, and there’s even an equally distorted vocal to match. It’s as if they’ve absorbed the best bits of The Black Keys and turned that duo’s typical schtick up to eleven. Although that bluesy element drops in intermittently during the next couple of minutes, effectively driving a great verse against a heavy drum sound, the bulk of this number is actually more concerned with much bigger rock sounds. Cranking the guitars, Adam Thompsett and Craig Lockwood fill the chorus and beyond with a great, overdriven riff that almost sounds like an old glam rock number retooled by a massive sounding garage rock band. This should be enough to appeal to a broad spectrum of retro rock lovers, even though the lyrical hook is a little more simplistic than was perhaps necessary. What that means, of course, is that the number is almost guaranteed to find an audience in high spirits in the live set, and its rowdy approach – combined with a fiery lead guitar break – more than suggests The 355’s are a band with a really gutsy edge. There’s time enough for a little melody here too, since the middle eight drops into a quietly atmospheric moment or two with a more soulful vocal, and this really helps the knockabout number feel far more well rounded.