Prior to its release in the last quarter of 2014, Portland’s Witch Mountain proclaimed ‘Mobile of Angels’ to be their “most complete album yet”. At that time, the band had already survived seventeen years of changing musical fashions alongside shifting personnel; the core of their sound now resembling an uncompromising, crushing slowness inflected with a bluesy tone. ‘Mobile’ certainly shows a hugely broad confidence and its material, for the most part, represents top class doom metal. Granted, the bulk of the songs do not necessarily represent anything that anyone bar the more committed doom fan would reach for on a regular basis, but then, it’s unlikely that Witch Mountain were ever looking for mass acceptance with this album – but in terms of becoming one of the strongest acts within their field, it’s a resounding success. It also acts as an epitaph for another phase of the band’s journey, being the last in a trilogy of discs to feature lead vocalist Uta Plotkin.
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