Montana’s Idaho Green are a band not so much shrouded in mystery as cloaked within the obsurd. Their list of band members is obviously fabricated and their band bio partly lifted from the legend of Lynyrd Skynrd. Scraping below the surface, though, they’re not related to Steve Gaines or Ronnie Van Zant; they’re still very much alive and have been active in one form or another since 2008. They’ve been releasing material since 2012 and the ‘Rancher Bones’ EP is their sixth release and despite only being short, it shows more scope and invention than before and is certainly more varied than 2016’s ‘Fuck Yeah…We’re Idaho Green’.
What would happen if members of various Leeds-based hardcore and noise-rock bands came together in one unrelenting outfit? Something not far short of a musical armageddon would likely be the result. Featuring members of arty noise rock band Cattle and powerviolence/hardcore outfit Ona Snop and sludgers Groak, Hoof Glove are on hand with some aggressive sounds that listeners will either love or hate; sounds which – like Cattle – could possibly clear a room if an audience is less than receptive.
Labelled “the heaviest band you’ve never heard” by the DyingScene website, Narcos Family Band already have a reputation to live up to. Since they’re not a strictly a metal band (or better yet, a doom metal band), they’d have a hard job being the heaviest all the while bands like Heriot and Mammoth Weed Wizard Bastard have plied their trade, but they’re definitely bloody raucous…and if “bloody raucous” is one of your staples when it comes to discovering new music, then ‘Pink Blues’ should definitely be sought.
Belgium’s Missiles of October have been cranking out their own brand of post-hardcore/noise rock since 2012. Approximately five years on from that time, the self-proclaimed “three old guys” are still very much an underground act, gleefully making listeners’ ears bleed whilst recycling various familiar influences. Their 2017 release ‘Better Days’ really drives home their love of retro hardcore, Jesus Lizard-esque angular art rock and more, in a package that some will find hard to swallow and yet others will lap up with twisted merriment.
Cattle’s debut EP was a short and sharp burst of angular noise rock that really stood out among the many great releases of 2013. With such a forthright approach, their musical arrangements were truly impressive, but best of all was the overriding bass sound, which came with so much overdrive it made JJ Burnel’s efforts sound small and made the Melvins more grinding affairs seem non-committal. Not long after that EP, various band members returned to their co-existing noise-rock outfit Super Luxury…and it seemed that Cattle might have been just a one-off experiment. But what an experiment it was!