FASTER PUSSYCAT – Like A Ghost / Pirate Love

Between 1987 and 1992, Faster Pussycat released a trio of major label albums that gained them a lot of very positive press. Between the trash-glam aesthetic of tracks like ‘Bathroom Wall’ and ‘Smash Alley’, the retro Stones-ish love of ‘House of Pain’ and hard funk of ‘Madam Ruby’s Love Boutique’, the band displayed a broad range of talents and influences, often only linked via Taime Downe’s distinctively scratchy vocal.

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DANY LAJ & THE LOOKS – You Should Know / I’m So Glad

Dany Laj & The Looks’ fourth album ‘Ten Easy Pieces’ was a masterpiece of pop-rock goodness. One listen to the They Might Be Giants inspired single ‘Don’t Keep Me Guessin’’ was enough to reel in a prospective audience with the catchiest hook of 2021, but the record’s musical gold ran far deeper. Between the energised harmonies of ‘Smoke In The Sun’, the almost Beatle-esque ‘In Other Words’, and the new wave throw back ‘Pick It Up’, the album darted effortlessly between some fairly disparate styles, but Laj’s strong gifts for a melody always acted as the glue holding everything together. Even with ‘Don’t Keep Me Guessin’’ towering above a couple of the album’s lesser cuts, it managed to be one of the year’s best long players.

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TONIC BREED – Fuel The Fire EP

Tonic Breed is the brainchild of Norwegian musician Patrik K. Svendsen. On the band’s previous releases, he and his band gave metal fans a whole world of technical, thrash based sounds, but with this EP, he pushes even further into the realms of heavy melody. Now a one man metal juggernaut, he plays pretty much everything on ‘Fuel The Fire’, but by roping in a few friends along the way, it results in a short blast that could just be his finest work to date.

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THE MORNING LINE – Scene

The Morning Line’s 2019 LP, ‘North’, was an absolutely terrific album. Reawakening the sounds of ‘Girlfriend’ era Matthew Sweet, Soul Asylum’s best major label recordings and even a the productions of Sean Slade & Paul Q. Kolderie, it felt like a musical love letter to the 1990s. Retro, yet still somehow fresh, it’s melodic and jangly songs really captured the best of the band’s obvious talents.

Three years on, their first release for Justine Couvault’s Red On Red Records is another musical treat. A seven song collection, ‘Scene’ taps into the “mini album” format – something that seems to have been overlooked since the early 90s – which means there’s far less opportunity for the listener’s attention to wander, but still enough scope for a little variety along the way.

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AUTOGRAPH – Beyond

Autograph will be well known to a lot of melodic rock and metal fans for their 80s albums ‘Sign In Please’ and ‘Loud & Clear’. Their single ‘Turn Up The Radio’ was a moderate hit in the US, appearing on MTV and hitting the Billboard Hot 100, which very much helped them have their fifteen minutes of hard rock fame on home turf. Despite not having the same levels of worldwide success as other big haired rockers, the Autograph name has always seemed to hold a fair amount clout, especially retrospectively.

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