GROUNDBREAKER – Soul To Soul

FM frontman Steve Overland has always seemed to keep himself busy, but the release of the Overland album ‘Epic’ in 2014 kicked off an especially prolific period for the British rock vocalist. The new, eponymously named band didn’t necessarily offer anything radically different from his “day job”, but in guitarist Christian Wolff and drummer Jay Schellen, he found new collaborators that worked very well with his still great voice. Between making three excellent studio albums with FM between 2015 and 2018, Steve also found time to record a fifth album with Shadowman (his on/off project with Thunder members Chris Childs and Harry James), a second Overland album, and even join a new band, Groundbreaker.

The new band mined a further seam of classic AOR sounds, and their debut album – as with so many Overland related projects – was a great vehicle for his voice. In addition, it allowed Work of Art’s Robert Sall to work with some slightly tougher sounds on occasion, and it was clear from the start that this new musical union had a strong heart. Unafraid to recycle a lot of genre tropes and lyrical clichés in songs like ‘The Days of Our Life’, ‘Eighteen Till I Die’ (nowhere near as embarrassing as the Bryan Adams tune of the same name), and ‘Standing Up For Love’, the band’s moniker was certainly chosen for its tongue in cheek qualities, but the album gave genre fans a great deal to enjoy.

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Kurt Baker shares new digital single ‘Turn It Around’

Following his move from Spain back to the US, Kurt Baker continued to raid his archive of materials to bring his fans some great music. The digital releases – in conjunction with his label, Wicked Cool Records – have really helped to capitalise on the popularity of his ‘After Party’ album, but the newest instalment might just be the best yet.

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ENUFF Z’NUFF – Enuff Z’Nuff’s Hardrock Nite

When Enuff Z’Nuff first appeared on the scene in the late 80s, they were very much the poster children for a bygone age. At a time when so many of the big haired bands were promoting sleaze, Chip Z’Nuff, Donnie Vie and their bandmates were flaunting a tye-dye aesthetic and an almost sub-Beatles like peace and love mentality. It was a move that, although unfashionable at the time, really worked for them. They became brief stars on MTV and gained very enthusiastic press on both sides of the Atlantic. After losing theur first major label deal after releasing the excellent ‘Animals With Human Intelligence’, they bounced from label to label, creating albums in a patchwork style from different sources, and although none of the subsequent releases would garner the kind of attention the debut and 1991’s ‘Strength’ had deservedly brought, Enuff Z’Nuff managed to retain a loyal fanbase.

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David Longdon: 17 June 1965 – 20 November 2021

When Big Big Train appeared on the prog rock scene in the early 90s, they immediately set themselves apart from other new bands. Whereas other new arrivals seemed set on reworking things that were obviously derived from early Marillion or writing their own ‘Supper’s Ready’, Big Big Train were different. Their love of all things pastoral and a deep respect for the solo works of Anthony Phillips gave them a heart so much bigger than their would-be peers. With shifting line-ups came changes in sound, but the idea of “the song” always seemed to be key, but it wasn’t until the arrival of vocalist David Longdon in 2009 that they really broke into the big leagues.

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REAL GONE GOES OUT: Martin Rossiter – Kentish Town Forum, London 20/11/2021

Goodbyes can be drawn out. None more so than the arrival of Martin Rossiter’s farewell London show. The ex-Gene frontman’s final curtain call was originally set to take place in June 2020, but it shifted date – and venue – more than once, before finally settling into its final resting place at the Kentish Town Forum in November 2021. At this point, larger gigs still haven’t made a full return following months of Covid related restrictions and cancellations so, understandably, for some, this night comes with a certain amount of unease. Fortunately, Rossiter quickly puts that right, firstly with a self-curated playlist in place of a traditional support band (his choice of tunes, heavily weighted to rarer Northern Soul bangers is excellent) and then the main event.

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