THE DOORS – London Fog 1966

For many years, The Doors seemed poorly served in terms of live material. Even after their music had turned on a new generation of fans in the early 90s, it seemed the only way to experience a Doors live show was via the double ‘In Concert’ CD – itself a repackaging

of the out of print ‘Absolutely Live’ coupled with a couple selections from ‘Live At The Hollywood Bowl’. In terms of audio releases, there was no way to actually experience a complete show.   It wasn’t really until the arrival the “Super Deluxe Edition” and box sets becoming far more commonplace that the band finally got their due with regards to live releases. From 2000 onwards, the Bright Midnight label set about raiding the archives and finally unleashed complete shows. Despite being of varying lengths and qualities (The Doors were never the most consistent of live acts), each release represented a fan’s dream, but he six disc ‘Live In New York’ – featuring every note played at four shows at The Felt Forum in January 1970 – went above and beyond what anyone expected.

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BIG RIVER – Redemption

Released over three years after the band’s formation, Big River’s debut album was a long time coming. Between 2016 and 2019, the band spent what seemed to be an eternity playing small venues on the UK’s south coast. The constant live work made sense, no matter how small a venue; there’s no point in spending money on recording before there’s an audience. Having been guitarist with several grassroots rock acts before Big River were even a twinkle of an idea, that’s something that band founder Damo Fawsett knows only too well. Three years of gigging eventually paid off, though, when in 2019 Big River scored support slots with both John Corabi (ex-The Scream/Union/Motley Crue) and Marco Mendoza (Dead Daisies/Black Star Riders).

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REDD KROSS – Beyond The Door

When Redd Kross released their ‘Researching The Blues‘ album in 2012, it gave fans plenty of reasons to celebrate. Not only did that record break a fifteen year recording hiatus, but it was also the band’s best album since 1990’s ‘Third Eye’. In ‘Stay Away From Downtown’, fans were given the ultimate Redd Kross power pop anthem and on material like ‘Dracula’s Daughters’ and ‘Meet Frankenstein’, the band showed they’d lost none of their love for b-movie schlock or high camp. ‘Researching The Blues’ was a fabulous comeback, indeed…and one of the greatest albums of that year.

Something unexpected happened in 2015 when bassist Steven McDonald was invited to join arty sludge legends Melvins. Given that Redd Kross had started out as a trashy punk band and McDonald had moonlighted with OFF! – a brilliant and uncompromising hardcore punk act featuring ex-Black Flag vocalist Keith Morris – perhaps it shouldn’t have been that unexpected, but it’s probably fair to say few people saw that coming. Steve’s place alongside Melvins mainstays Buzz and Dale led to various gloriously mismatched live shows shared between the two bands and by the time Melvins released ‘Pinkus Abortion Technician’ in 2018, McDonald’s influence within the band could very definitely be felt.

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MY LIFE STORY – World Citizen

Making any kind of successful comeback after a long absence can be a tricky prospect. Time can be cruel. All too often, we’ve encountered bands returning to the spotlight after a long absence and wished they’d left their legacy as a rose-tinted memory. For British baroque pop band My Life Story – a cult band from the fringes of Britpop – a full time return to touring in 2012 didn’t just remind the old fans how good they were back at their 90s peak, but high profile gigs at the Star Shaped Festival and a few other places helped to bring them a whole bunch of new supporters.

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