Since the demise of his indie rock band My Cruel Goro a few years ago, Andy K. Leland has immersed himself in a world of very lo-fi singer songwriter songs. His last EP was so DIY, it was possible to hear the creaking of floorboards as he played.
His new digital single ‘A Chair Is A Chair’ continues down an ever introspective path, this time with his sparse acoustic work joined by drone guitar and mellotron. The track has been complimented by a no-frills, lo-fi, VHS inspired video clip, which you can now view in full below.
Local Drags have been called “The best power pop band from Springfield, Illinois”. Regardless of how much competition the band may or may not be up against, if your idea of power pop is still rooted in the 70s with Raspberries and Badfinger albums, with Cheap Trick’s ‘In Color’ and the early works of Nick Lowe, it might be time to move along…this album won’t necessarily fill your ears with the musical hit you crave. If, on the other hand, you enjoy basic power pop aesthetics mixed with an insanely huge dose of good old pop-punk, then ‘Shit’s Lookin’ Up’, will indeed, catch you off guard and deliver a dozen tunes that’ll perk up your day…and fairly quickly too.
Bringing together the talents of Lanny Durbin (sometime of Starter Jackets) and Matt Sailor (Mayor Sheriff) and produced by The Copyrights’ ‘Luke McNeill, it’s an album with a great pop-punk pedigree and, in the main, the kind of record that fans of The Copyrights, The Apers and Parasites will certainly take to their collective hearts.
After the release of I Am The Law’s second EP. 2018’s ‘Hymn of The Vulture’, the band saw their fan base grow and they confirmed their place as one of the best metal bands to break out of the US in recent years. Seemingly primed to hit listeners with a full forty minute riff fest on a follow up, in some ways it comes as a disappointment that ‘Dance of The Southern Witch’ is just a two track, digital only release. However, the songs are far better than mere place-holders or stopgap material – both are fantastic, heavy as hell affairs that really build upon the skills I Am The Law have shown on their past EPs.
Basic Bitches began as a band in 2014 but it would be another four years until a stable line up was established. That line up featuring Naomi Scott (gtr/vox) and Krystal Grow (drums) entered the recording studio soon after and the resulting EP ‘Relatable Content’ was released to an unsuspecting world in the Spring of 2019.
Its four numbers offer the finest in hard garage rock sounds, recorded in such a way that the loud end of the drums and the fuzz from the guitar give off a very natural and live sound. Unlike some similar bands you might come across in your quests for relatively lo-fi goodness, though, there’s just enough polish to ensure Basic Bitches don’t ever sound like they’ve been recorded on a portable cassette deck from the far end of the room.
It took New York’s sludge metal heroes False Gods a full two years to release a follow up for their ‘Reports From Oblivion’ EP. In that time, fans probably suspected the band to re-emerge, all guns blazing with a devastatingly heavy full length album…but it wasn’t to be. It may still verge upon being devastatingly heavy in a few places, but their 2019 EP ‘The Serpent & The Ladder’ presents just two new songs.
Whether this is an EP – as advertised – or a single that unleashes two lengthy workouts is something very much up for debate. The band’s commitment to a riff, on the other hand goes without question. A concept piece, of sorts, the two numbers concern both of the titular objects, but a gruff vocal and very intense sound means that the finer points of the narrative are lost behind some weighty riffs. Let’s be fair, though, if you’re drawn to a band like False Gods for anything other than those riffs, you’ve sort of missed the point.