VOICE OF THE SOUL – Catacombs

voice of the soulForming in the late noughties when the band were just teenagers – young enough to rival Def Leppard in the precociousness stakes – Voice of the Soul always had very grand musical ideas.  Following three self-released EPs between 2009 and 2011, the Middle Eastern extreme metallers found themselves in a great position to expand on their previous works.  Taking to the studio in early 2014, the band set about making their first full length release – and in melodic death metal terms, the dark and sprawling world conjured up on ‘Catacombs’ does not disappoint.

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“Dear Mr. Le Bon…” – crowdfunding campaign

A few years ago, a couple of pensioners from Bournemouth – home of the mighty prog band Big Big Train – embarked on an unusual hobby.  They began to write to musicians, questioning their song lyrics.  It all began in 2008, when Wilf Turnbull and Derek Philpott decided to write to Simon Le Bon, stating that other animals besides wolves experienced hunger and it was perhaps wrong for Duran Duran to single out our lupine chums.

The whole thing snowballed.  Soon, their project became a fully functioning website, with replies from Gary Numan, Toyah Willcox, Steve Dawson (ex-Saxon), Billy Bragg and many, many others.

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Queen 80s & Beyond poll results + video gallery

Real Gone’s first Queen poll, looking at the band’s 70s work, was a roaring success.  Hot on its heels, we ran a second poll asking you to vote for your favourite songs from the second phase of their much-celebrated career.  While similarly successful, the second poll showed how much love fans have for band’s singles – in this case, far more so than the album material.

There’s no denying the quality of Queen’s hits between 1980-1991.  Aside from those from the “marmite” album ‘Hot Space’ (1982), the band achieved wall-to-wall greatness in the singles department during their stadium years; their singles still in regular radio rotation the world over.  …And fans clearly still love them.

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ANDREW DANSO – Fly EP

flyIn 2011, Devin Townsend released his fourth “project” album, ‘Ghost’. A record heard by millions, it combined ambient-ish qualities with a mellow style that showed off a very relaxed side of the man who once gave us skull-crushing metal as frontman with Strapping Young Lad.  Around the same time that those millions were getting (rightly) excited about Devin’s ‘Ghost’, somewhere in Northern Ireland, guitarist Andrew Danso had not long finished work on ‘f i n d’, a collection of largely instrumental soundscapes which appeared to share more than a few traits with Townsend’s record, but approached atmospheric music with an even spacier slant.  The album, unsurprisingly, slipped under the radar of most of the people who really should’ve heard it, as is the plight of many an independent musician.

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