Detroit three piece The Stools take the guts of garage rock and pull at them until some of the uglier elements of the genre are the dominant force. Despite its title and despite their location, you shouldn’t expect their 2018 cassette ‘Milk River Blues’ to be overly concerned with drawing from bluesy elements; nor should you approach them thinking that either the legacies of MC5 or The Stooges strongly apply. The Stools are slightly unhinged and are probably best approached with caution.
Self confessed “manic punk” duo The Wirms hail from the Ozark region of the US. To the outsider, that might not seem like the very epicentre of punk, but back in the 90s, the Ozarks spawned it’s own underground scene. [The DIY nature of punk always allows for scenes to spring up anywhere. Aberdeen, WA is in the middle of nowhere…and just look what happened there!]
When picking up something from US DIY label What’s For Breakfast? Records, there’s more than a fair chance you’ll encounter something in the garage rock mould, some riot grrl anger, or even something punky. All good staple sounds for listeners who like their sounds authentically rough and ready, but the 2017 EP from Ellen and The Degenerates goes a step further and combines all of the aforementioned with some great hooks and a decent recording. All things considered, it’s easily one of the best things the label has released.
Belgium’s Missiles of October have been cranking out their own brand of post-hardcore/noise rock since 2012. Approximately five years on from that time, the self-proclaimed “three old guys” are still very much an underground act, gleefully making listeners’ ears bleed whilst recycling various familiar influences. Their 2017 release ‘Better Days’ really drives home their love of retro hardcore, Jesus Lizard-esque angular art rock and more, in a package that some will find hard to swallow and yet others will lap up with twisted merriment.