Strange Majik mainman David Pattillo is a well known studio hand from New York, whom between 2011-2013 was most often seen as half of garage blues duo The Dead Exs. After two excellent albums in that stripped back and distorted style, his Strange Majik project finds the multi-instrumentalist spreading his wings. Pattillo’s Strange Magik guise is primarily a vehicle to experiment with a world of music that largely would never have fit The Exs straight ahead mood and also allows him to work with a revolving cast of musicians and vocalists. The end results straddle funk and r ‘n’ b, with a swathe of old fashioned psychedelic guitars beefing up the sound – the message here is to close your eyes, open your mind and feel the majik.
Tag Archives: vinyl
Sleep’s ‘Holy Mountain’ reissued on vinyl in March
Sleep’s 1992 release ‘Holy Mountain’ is to be reissued on vinyl in March. The classic stoner/doom release has become a fan favourite over the years, with original vinyl copies now very hard to find. A 220g vinyl reissue to tie in with the album’s tenth anniversary is similarly elusive.
Rush ‘Fly By Night’ blu-ray audio disc coming soon
2014 began a comprehensive Rush reissue programme with a deluxe replica repressing of the band’s 1974 debut LP.
Rush fans will be pleased to note that 2015 is set to bring a whole host of Rush reissues, when their works between 1975-1988 get the heavyweight vinyl treatment, each with a download code. ‘Fly By Night’, ‘A Farewell To Kings’ and ‘Signals’ will also be released on blu ray audio disc.
Lynyrd Skynyrd vinyl box set due in January
Southern rock legends Lynyrd Skynyrd are set to release a lavish box set in January 2015.
The box will contain each of their classic 1970s studio releases plus the essential double live LP ‘One More From The Road’, pressed on high quality audiophile 180g vinyl.
EDITORIAL COMMENT: Incomplete (or rambling thoughts on collecting from an obsessive music fan)
Right up to the 1980s, things were fairly simple as a music fan. Your favourite bands released singles and albums and, as a loyal fan, you bought them knowing you’d kept to your end of the bargain. Sometimes singles weren’t part of albums and in that case you got something extra. Things started to change in the 1980s when the picture disc started to make regular appearances, thus meaning an occasional extra purchase. Labels like ZTT (run by business-minded Trevor Horn and Paul Morley) were quick to capitalise on marketing strategies – with bands like Frankie Goes To Hollywood, they made sure that different formats had different mixes and different edits. In the case of the fledgling cassette single, they even went an extra step by including unreleased bits and pieces from the cutting room floor, often to fans’ bemusement and eventual delight.
Not everyone was as keen to play the game. Towards the end of the decade, Morrissey – in a spiteful lyrical snide against his then record company’s repackaging of Smiths material – gave us the lyrical legend “reissue, reissue, repackage…re-evaluate the songs, extra track and a tacky badge”. Some bands stuck rigidly to the old model of single release followed by album…and then a couple more singles (often with something extra on the b-side, sure; but once that was done, you knew that was it, at least until the next outpouring of new material in a couple of years).
By the mid-90s, albums would occasionally appear as special editions. This usually involved a bonus disc containing a handful of extra songs (or in the case of The Beautiful South’s excellent ‘Carry On Up the Charts’ anthology, a whole disc of hard to find b-sides) or live material. Another easy choice for the consumer: you chose to buy either the standard release or fork out a few extra quid for that bonus disc – job done, everybody happy. Bon Jovi’s ‘Keep The Faith’ was among the first to mark a shifting tide towards fan-testing, record company greed when the special edition appeared months after the original album’s release. This staggered release ensured almost everyone had purchased ‘Keep The Faith’ already…but would they buy it again? Of course they would – if not everyone, then at least a good proportion of the die-hards would want that extra material. Why wouldn’t they? The floodgates were open.