…And so, Real Gone reaches the inevitable end of The Great 80s Project, but what an amazing year for music! The charts didn’t always reflect the interesting things going on, but in terms of albums, it’s a year full of wonder.
For a lot of people, 1981 is a year where the 1980s really found its feet. It’s a year where fewer things carry a feel of the 70s; it’s a year where the New Romantics and the new wave of synth pop stars dominated the charts. As well as being a solid year for pop, 1981 also found the New Wave of British Heavy Metal reaching its crescendo.
It’s Friday night in Ramsgate. In the harbour, people are going about their usual Friday night business, drinking Belgian beers and eating tapas. On the other side of town, at the Ramsgate Music Hall, something far more unexpected is about to happen. Tommy Stinson is about to take the stage with his band Bash & Pop. For those still unaware, Tommy is a cult hero, possibly even a legend. Between the early 80s and 90s, he played bass with The Replacements, a garage rock/punk band who gained a devoted following and became influential to a future generation of musicians. He’s been a member of both Soul Asylum and Guns N’ Roses. In between those musical ventures, he’s put out a couple of great solo records and two releases with a largely overlooked band, the ironically named Perfect.
The Replacements broke up in 1991. During their lifetime, they became one of the world’s greatest cult bands, gaining a legion of loyal fans, the actor Matt Dillon among them. Following the split, bassist Tommy Stinson embarked on an interesting career, as frontman of his own bands Bash & Pop (whose sole album ‘Friday Night Is Killing Me’ an essential listen for ‘Mats devotees), and Perfect, maker of solo records and as a touring member of Soul Asylum. Rather unbelievably, he’s also been a member of Guns N’ Roses – an odd move, certainly, but one Stinson has previously claimed pays well. Guitarist/vocalist Paul Westerberg released a string of excellent solo recordings, some of a rather lo-fi persuasion, but always showing the songwriter’s gift for a lyric. In a move that pretty much no fans ever expected, Westerberg and Stinson reunited in 2012 as The Replacements, played their own live shows and appeared at festivals across the US.
In 2015, the even more unexpected occurred when The ’Mats announced gigs in the UK. For some fans this would be a great opportunity for revisiting their youth, but for many – and certainly for a huge part of the audience present at The Roundhouse on June 2nd – their first live experience of the band. A proper bucket list job.
With all of the in-depth reviews and other stuff on Real Gone, since it’s nearly Christmas, it’s time for a bit of fun.
Every day between the 1st and 24th of December, a new link will be posted here containing a clip. It may music, maybe not; it may be a classic you’ve seen a thousand times, it may be something you’ve never seen…it may not even be an official clip.
It’s just a handy way of rounding up a few of Real Gone’s favourites in a quick and unoriginal fashion. After the calendar is completed on Christmas Eve, the links will stay up for those who missed out.
…Will Bruce Springsteen will be bellowing festively somewhere?