Electric Six’s debut album, 2003’s ‘Fire’, was a runaway success. On that record, the band’s disco/garage rock hybrid sound caught the ears of a generation and, back when such things were important, its massive singles gained heavy rotation on the music TV channels. The live shows that followed stoked up the fun, with “dance commander” Dick Valentine, indeed, showing a decent command of an audience looking for big grooves and cheap thrills. Things might not have worked out quite so well in a tent at the Reading Festival that year when the attendant crowd heckled endlessly for ‘Gay Bar’ – and only wanted to hear ‘Gay Bar’ – but being a smart cookie, Valentine managed to keep everyone under control while working through really spirited renditions of the album tracks until the restless crowd finally got their wish. A lesser frontman might have allowed things to descend into chaos, but despite half the audience’s indifference beyond the hits, it ended up being a superb show.
In terms of pop, 1982 was a strong year: Madness took a further step towards songwriting sophistication with their album ‘The Rise & Fall’, Prince made a huge breakthrough with his ‘1999’ double platter of much filthiness and Phil Collins showed us that the previous year’s ‘Face Value’ wasn’t just a one-off solo success when his “tricky second album” spawned a #1 hit single and a few of his best solo tunes.
Back in May 2017, Real Gone launched “The Great 70s Project”, a ten week exploration of a classic decade’s worth of music. By side-stepping a couple of the obvious hits and digging deeper into back-catalogue albums, we were able to present a very broad look at the albums of the era and it became one of the site’s most popular features.
A long time in the planning, we’re pleased to present The Great 80s Project, a similar exploration of the decade that brought us a multitude of synth-pop, shiny tunes, bright colours, Live Aid and a handful of stadium giants.
We’ve hit December 2019 and that can mean only one thing. It’s time for The Real Gone Advent Calendar!
As is traditional, over the next twenty four days, we’ll be posting a new link. It might be a video. It might be audio only. It might be an old favourite. It might be something brand new and unfamiliar. The only way to find out is by coming back each day and opening a new window.
Looking back, the three years between the disco and pop oriented sounds of 1976 and the majestic jumble of influences that fill 1979 are a huge gulf. By 1979, disco was on it’s last legs, punk had firmly given airtime to what we now think of as new wave and the pop music of the day was about as strong as it had been since 1975.