In April 2020, adult pop heroes The 1957 Tail-Fin Fiasco made an unexpected return with their video single ‘Dream Pharma’. It had been almost eighteen months since the world heard from them, and the band themselves weren’t entirely sure they were going to make new music, but here they were.
The last time most people heard from The 1957 Tail-Fin Fiasco was in the summer of 2018 when they released a stand-alone video single ’39 Grams’. An odd tune, it side-stepped their usual sunny sounds and Steely Dan obsessions in favour of something with bigger beats and musical quirks. Understandably, the response was mixed.
The band actually sneaked out a new track, ‘Cold Cuts’ – a semi-acoustic number that was a little more traditional – at the beginning of 2020. They’ve followed ‘Cold Cuts’ with another off-piste affair ‘Dream Pharma’ which is as quirky as it is catchy.
Recently, Essex based pop sensations The 1957 Tail-Fin Fiasco unveiled a new video for ’59 Grams’ as a precursor to their next album release.
They’ve now also made the audio track available as a free download.
Since releasing their free download album ‘Not For Everyone’ back in January 2017, The 1957 Tail-Fin Fiasco have been suspiciously quiet.
Over the past year, they’ve been working on new material and a new album is now expected before the end of 2018.
It’s May 2017. We’re approaching the halfway point of the year and supposedly knee-deep in a UK springtime. Not that you’d especially spot that by taking any more than a cursory look. For the better part of the past five months, the sky has decided to settle upon the lightly cloudy, with only occasional flashes of blue daring to break up what is otherwise a heavy, milky blanket. It’s also bloody cold; you might even dare call it wintry. In fact, on the surface, pretty much everything looks and feels more like a standard late October than a time that’s laying the groundwork for sun and optimism.
The slightly disappointing weather seems to have had an impact on The 1957 Tail Fin Fiasco too. Once a band guaranteed to bring some westcoast American sunshine despite working from a semi-secret location somewhere in the south east of England, their second full length release is somewhat moodier than expected. There are scraps of Steely Dan and remnants of The Doobie Brothers scattered throughout the ten tracks, except this time around, they’ve cast the net of inspiration far wider and come up with a record that’s steeped in loss and the feelings of what could have been.