You want bubblegum? You want classy pop-punk? The Ramones-obsessed Justine and the Unclean are here to bring salvation with their new digital release. Although just a two track download, their debut digital single ‘Love Got Me Into This Mess’/’Passive Aggressive Baby’ might just be one of the best female-fronted punky affairs in a very long time…
On this day in 1995, Grateful Dead bandleader Jerry Garcia passed away. His legacy remains as strong as ever and Dead fans across the globe still hold the band’s work in very high regard. Despite some top quality studio albums, it was always in the live setting when Jerry and the band really became something special.
Like most bands with long careers, of course, the Dead didn’t always get it right. They’d sometimes get it spectacularly wrong (as was the case with a late 80s show with Stephen Stills). With Grateful Dead’s official live releases now numbering several dozen and hundreds of bootlegs still in circulation, the world of Dead live recordings can be a minefield.
Two years on from ‘Songs of Regression’, UK pagan metallers Nordland really upped the stakes for their forth album ‘European Paganism’. Not only does the album boast a better production value than before, but the band have taken their love of extended tracks to their very logical extreme. Whereas their previous few records offered at least two ten minute workouts, ‘European Paganism’ outdoes them all by presenting just three tracks within a near forty five minute span, with the opening number taking up the best part of half an hour.
Every week, new bands surface playing homage to the Ramones, The Queers and their ilk, and about once a month, you’ll probably find one good enough to add to your regular punk playlist. Such is the case with Moratones, a Spanish take on classic pop punk themes. On this EP release, their music is played with such authenticity that, within about a minute, you’ll completely forget that the vocals are all in Spanish and just get swept along with the band’s general love for the style.
Looking back, the three years between the disco and pop oriented sounds of 1976 and the majestic jumble of influences that fill 1979 are a huge gulf. By 1979, disco was on it’s last legs, punk had firmly given airtime to what we now think of as new wave and the pop music of the day was about as strong as it had been since 1975.