For those who’ve not been paying attention, fuzz rock troupe Sun Voyager have been lurking on the Brooklyn underground scene since 2012. After a few enjoyable EPs, ‘Seismic Vibes’ – their first full length LP – really capitalises on their previous musical ideas, presenting a world of haze and stoner based riffs with not only more confidence but also a better production value than they’ve ever had. Those who think “better production” could also mean more commercial should fear not, though, since everything that was great about these mighty Sun lords before remains just as great; it’s just that this time around, the material has more warmth and depth. It’s interesting they’ve not taken advantage of the longer playing time and experimented with longer songs, but just one or two listens to this album should be enough to explain why: there’s definitely something about this material that is more effective in short bursts.
Over the past few years, Boss Keloid have been carving a career from very heavy riffs and a touch of progressive attitude, resulting in some weighty sounding music that has its own style.
On the basis of their new single ‘Chronosiam’, the band’s upcoming album – their fourth release – ‘Melted On The Inch’ could be one of their finest to date.
What happens when you take two doom bands whom have a mutual respect for each other and give them one side of an LP each? Possibly one of the heaviest records ever! ‘Totems’, from Black Bow Records, combines five previously unreleased tracks – three from Slomatics and two from Mammoth Weed Wizard Bastard – and presents the ultimate in doom, though somehow without things ever feeling as if they’re verging on a pointless macho pissing contest.
At the beginning of 2016, Wakefield’s Climbing Alice sounded like a force to be reckoned with on their ‘Melt Yourself Up‘ EP. Mixing alt-rock, goth and shoegaze noises, the four piece band created a great listen via a wealth of influences. There wasn’t so much in the way of immediate hooks or catchy melodies, but if it were a riff or six you craved, the EP – and band – came up winning pretty much every time.
There have been some great stoner and doom bands surface over the first part of the twenty first century. Whether recycling straight up Sabbath-isms, or channelling Fu Manchu-esque dusty grooves that sound like they’ve been borne from a sweaty, clapped out van, this unashamedly retro sub genre of metal rarely disappoints. It’s so often predictable, but that doesn’t diminish from it’s overall power.
Every once in a while, a band appears on the scene that – although still treading a very familiar path – also seems to raise the bar. Such is the case with Devil Electric, a four piece stoner metal outfit from Melbourne whose riffs are so big, they could cause a tremor somewhere in the outback. Their 2016 EP, was hugely enjoyable, but their first full length exceeds expectations.