To move forward, sometimes it’s important to take stock of the current situation and go back to the past. On this two track 7”, Texan doom duo Stone Machine Electric revisit the first songs they ever wrote together and in doing so go back as far as possible. Both tracks have been previously available, but this release marks their vinyl debut.
A few seconds into this 2019 EP from London based two-piece rock band Yur Mum, it becomes evident that first impressions most definitely do not apply. ‘What Do You Want?’ wastes no time in cranking a huge riff – part 90s metal, part stoner rock – that makes the band sound like a cross between Godsmack and the heaviest parts of Shinedown. It’s most definitely not what you’d expect from a band who’ve decided that a moniker like Yur Mum best represents them. As the track progresses with a mid-paced, absolute crusher of a riff – something that’s brilliantly juxtaposed with Anelise Kunz’s howling and almost brattish vocal – you’ll soon realise that, despite appearances, these guys are serious. …And then, with a teeny bit more time to acclimatise to their heavy sound, you’ll then realise that the brilliant, groove laden riffs have enough force and volume to take on a full spectrum of moods. Nope, this is certainly not the work of a band whom, in name terms, might have you believe they were a teen pop-punk phenomenon.
Two years on from their devastating ‘The Head Which Becomes The Skull’ Californian doomsters Daxma (pronounced Dahk-ma) unleash a career best with the ‘Ruins Upon Ruins’ EP. Their first release for Blues Funeral Records, it might look like a stop-gap since it features just two songs but the reality is somewhat different. Each of the featured pieces stretches beyond ten minutes (one even fills a full quarter of an hour), meaning that, combined, the two riff laden offerings actually have a running time that’s almost as long as various rock LPs from the late 60s.
Every once in a while, a band comes along that sounds almost exactly like their logo and album artwork. This is one of those times. With a sound that falls somewhere between heavy psych and stoner rock, Perth’s Giant Dwarf deliver a world of fantastic riffs on this debut album. These guys have so obviously realised that it can be more effective to take influence from others and do that well, as opposed to presenting an odd mish-mash of more original sounds but end up with a record that’s going to be perhaps quite marginal. It’s resulted in a release that’s full of belters that fall somewhere between classic ‘Dopes’ era Monster Magnet and the more focused Queens of The Stone Age – pretty much guaranteed to please most listeners who loved stoner and space rock in the late 90s…and still find themselves craving some deep fuzz.
Formed in 2016, Chicago’s High Priest mix doomy metal and heavy blues sounds in a way that’ll be guaranteed to please fans of ‘Americas Volume Dealer’ era Corrosion of Conformity as well as those who’ve made it all the way through the particularly lengthy 2CD edition of Jerry Cantrell’s ‘Degradation Trip Vols. 1 & 2’. Here is a band that not only loves a heavy riff but truly understands that heaviness is at its most effective when applied to a strong melody. As a result, ‘Sanctum’ is a must-hear.