BLUE HERON – Black Blood Of The Earth / A Sunken Place

The name Spiritu was never stoner rock’s most famous, but the New Mexico band left behind a brief legacy which included a Jack Endino produced album and live experiences shared with Clutch and the mighty Spiritual Beggars. For those who missed the band at the time, it would be fair to suggest that their Kyuss derived sound would be broadly appealing to most fans of that style. Six years on from Spiritu’s second and final recording, ‘Human Failures’, half of the band have emerged from hibernation, making up the core of Blue Heron. Despite being a new name on the stoner scene for 2021, the sounds they make are of a timeless appeal, and ahead of an already completed debut album, this two song 7” gives a fantastic taste of a band about to gain some huge traction with the desert rock diehards.

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Sea Of Snakes share new video for ‘Ride The Line’

As part of the ongoing promotion for the 2021 EP, US stoner metal band Sea of Snakes have shared a new video clip for ‘Ride The Line’.  Although the clip is merely made up from various bits of stock footage, it’s still an effective promotional tool in that it has the potential to attract people who might not typically care for reviews.

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THE WATCHERS – High And Alive EP

Following two enjoyable studio releases, San Francisco stoner rock band The Watchers give fans a genuine treat with their third release. ‘High And Alive’ shows the band in their natural environment, in front of an enthusiastic crowd. With four tracks recorded at The House of Rock, the EP shows how much better this band sounds without the constraints of a studio and with some extra volume applied.

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DOOMSTRESS – Sleep Among The Dead

After releasing a pair of 7”s in 2016 and ’17 respectively and then honing their talents with a seemingly endless string of live dates, it seemed only natural that Texan doom/stoner metal band Doomstress would eventually get around to recording a long-awaited full length album. It’s every stoner band’s dream to create something that pays homage to either a Rodger Bain production of the early 70s or recycle that warm and fuzzy goodness as per the early Fu Manchu records and this debut from Doomstress does a fine job of capturing both aspects. Despite the studio often dulling the power in a performance, this album shows off a very natural sound, throughout, which of course is just perfect for the style in hand.

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