VARIOUS ARTISTS – A Life In Yes: The Chris Squire Tribute

Taking an early influence from Paul McCartney, bassist Chris Squire truly pushed boundaries in the late sixties and early 70s and took the four stringed instrument into new territory. Using the rhythmic instrument as a lead, Squire gave the bass a distinctive voice and with progressive rock band Yes, he subsequently became a huge influence upon bassists around the world.

Prior to his death in 2015, Squire gave his blessing for Yes to continue without him. In many ways, any form of Yes without Squire seemed like an odd proposition since his writing and arranging skills were always pivotal to everything, but the official Yes (featuring long-time members Stece Howe and Alan White, alongside vocalist Jon Davison) have toured harder and more extensively than ever, keen to keep Squire’s memory and legacy alive. With Yes releasing their own tribute in October 2018 via Cherry Red Records (including new recordings by Yes men Jon Davison and Billy Sherwood), it’s only right that the band’s founding father should have his own tribute too, and while on the surface, this US release ‘A Life In Yes’ (issued via Cleopatra/Purple Pyramid) doesn’t appear quite as glossy as its UK counterpart, it is every bit as interesting. A few recordings even make it an essential listen.

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BILLY SHERWOOD – Citizen

billy sherwood citizenIn 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.

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The first Genesis poll results + video gallery

Genesis were an essential part of the 70s prog scene.  Along with Pink Floyd and King Crimson, their early catalogue is a complex one that, decades after its original release, just keeps giving.  Their albums released between 1969-76, covering their most progressive tendencies are albums whereby it’s almost possible to hear something new, some subtle touch lurking in the back of complex arrangements, whenever listening – the bits that really strike chord changing, dependent on mood and surroundings.

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THE BIG GENESIS POLL, Part One: The Prog Years

At Christmas 2014, the BBC broadcast an updated Genesis documentary ‘Together & Apart’.  It had been some time since the previous feature length document of the band had been pieced together – 1992’s excellent ‘A History’ – and so, any focus on the much neglected Ray Wilson era and the ‘Calling All Stations’ album was anticipated by fans.  As well as including interviews with the five members of the classic 70s era in the same room, this was to be event television for the Genesis fan.

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