As part of Cherry Red’s “12 Days of Christmas” sale, Esoteric Recordings are offering a 20% discount on a selection of their finest titles over the next few days. It’s a great chance to plug a few holes in your collection, or perhaps treat yourselves to a Christmas present or three.
Fifty years is a long time for anything. It seems an especially long time for a band to exist…and particularly one that always set out to push boundaries and create music that wouldn’t necessarily appeal to the pop music buying masses. …And yet, here we are: prog rock legends Yes celebrated their half century in 2018. Granted, they’ve had an ever evolving, less than stable line up – no fewer than nineteen members have passed through the official ranks of Yes since their inception in 1968, and at the end of 2018, none of the band members are the true founders – but there is still a Yes. Detractors be damned.
Masterminded by Dave Kerzner, ‘Yesterday And Today’ is an all-star tribute that celebrates all line-ups and all eras of a great band, featuring a few very familiar faces, some of whom have been brave enough to tackle a couple of deeper cuts from the Yes catalogue.
Taking an early influence from Paul McCartney, bassist Chris Squire truly pushed boundaries in the late sixties and early 70s and took the four stringed instrument into new territory. Using the rhythmic instrument as a lead, Squire gave the bass a distinctive voice and with progressive rock band Yes, he subsequently became a huge influence upon bassists around the world.
Prior to his death in 2015, Squire gave his blessing for Yes to continue without him. In many ways, any form of Yes without Squire seemed like an odd proposition since his writing and arranging skills were always pivotal to everything, but the official Yes (featuring long-time members Stece Howe and Alan White, alongside vocalist Jon Davison) have toured harder and more extensively than ever, keen to keep Squire’s memory and legacy alive. With Yes releasing their own tribute in October 2018 via Cherry Red Records (including new recordings by Yes men Jon Davison and Billy Sherwood), it’s only right that the band’s founding father should have his own tribute too, and while on the surface, this US release ‘A Life In Yes’ (issued via Cleopatra/Purple Pyramid) doesn’t appear quite as glossy as its UK counterpart, it is every bit as interesting. A few recordings even make it an essential listen.
In 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.
Genesis were an essential part of the 70s prog scene. Along with Pink Floyd and King Crimson, their early catalogue is a complex one that, decades after its original release, just keeps giving. Their albums released between 1969-76, covering their most progressive tendencies are albums whereby it’s almost possible to hear something new, some subtle touch lurking in the back of complex arrangements, whenever listening – the bits that really strike chord changing, dependent on mood and surroundings.