On September 3rd 2017, it was announced that the legendary Walter Becker had passed away.
The multi-instrumentalist and record producer will always be best known as an integral part of westcoast rock/jazz-rock trailblazers Steely Dan. Taking in various elements of rock pop and jazz, brought to life in the studio and in the live setting by a crack team of session players – including Michael McDonald, Jeff “Skunk” Baxter, Toto’s Steve Lukather and countless others – few had equalled the perfectionist sound of Steely Dan.
On December 1st 1976, UK TV history was made. On Bill Grundy’s Today show, the Sex Pistols and a couple of their associated chums shocked a nation. Their behavior was quickly seen as inappropriate for most of the 1970s public and by the time their interview concluded with Steve Jones calling Grundy “a fucking rotter”, things had moved from merely “inappropriate” to “causing outrage”.
At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart. 1975 very much follows that trend, but pushes some of the focus back to great albums.
If 1972 were the year where the 1970s took on its own distinctive image with glam rock flaunting its majesty in a peacock-like fashion, then 1973 was the year the beards fought back. Every up has its flipside and so it goes here. The polar opposite of Bolan’s optimism, 1973’s biggest selling albums included Pink Floyd’s ‘Dark Side of The Moon’ (a lavish concept album about depression and mental stability), The Who’s ‘Quadrophenia’ (a concept album about angst, youth and mental stability) and Mike Oldfield’s ‘Tubular Bells’, arguably the biggest foray into self-indulgent prog rock this side of Yes’ double platter bore-fest ‘Tales of Topographic Oceans’ (also released in 1973).
That’s not so say the great and accessible pop and rock had been swept away, of course. Nor that glam was dead – far from it, in fact. Sweet scored some big hit singles, Bolan told us the ‘Children of the Revolution’ couldn’t be fooled and one time hard rockers Slade escalated in popularity on the back of some great singles.
1972 AD. The year that bored suburban teens attempted to resurrect Dracula, in a much maligned Hammer film that’s actually quite good fun. The year that Bolan’s musical craft was at its most perfect; the year Ziggy Stardust came to Earth and changed Bowie’s fortunes forever.