The late 60s and early 70s were a great time for experimentation and free spirited sounds. From within the psychedelic scene came various bands who were less enthralled with rainbows and being “home in time for tea”, preferring instead to stretch blues origins into dark and heavy places, inspiring a generation of guitar heroes. Others took a mod and freakbeat approach and ladled on the distortion thus creating a more inventive take on a garage rock sound, something which arguably helped to spawn punk. By cranking their amps and embracing an artistic freedom, there were a whole spectrum of bands slowly changing the musical landscape. The original ‘I’m A Freak Baby’ box set (released by Grapefruit Records in 2016) gave a solid overview of the era for the curious listener. Although it featured a lot of material that keener rock fans would already own, it still played well as a compilation in its own right. Popular tunes by Deep Purple, Uriah Heep and Peter Green’s Fleetwood Mac could be found alongside cult numbers by Pink Fairies and The Groundhogs, as well as a few genuine obscurities from Barnabus, Sweet Slag and Cycle. A second triple disc set released in 2019 offered more gems, but dug even deeper for rarities with unreleased tracks from Natural Gas, Thor, Tarsus, and more besides.
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VARIOUS ARTISTS – Looking Through A Glass Onion: The Beatles’ Psychedelic Songbook 1966-72
The Beatles can arguably claim to being the most covered band in the history of recorded music. Pretty much everything they released between 1962-1970 has been covered at some time, and by bands and artists from right across the musical spectrum. Dig deep enough into the internet, you’ll even find other people reinterpreting ‘Revolution 9’, surely the most marginal of Beatles recordings. Even while the band was still active – long before being considered of any real historical importance – their work was being reinterpreted by high profile artists in a disparate range of styles. Most notably, The Beach Boys, Jimi Hendrix, Booker T. & The MG’s, Otis Redding and Elvis Presley put their own stamp on various Fab Four classics, but for every hit interpretation, several dozen others could be found languishing on cult albums and under-bought singles.